Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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Review: ‘Deadpool’

Deadpool_Poster“Deadpool” is a total have-your-cake-and-eat-it-too kind of movie. A thoroughly unconventional character making jokes at the expense of the thoroughly conventional film in which he inhabits, “Deadpool” features all the greatest hits, like the origin story, the secret friends, the bland villain, the final battle atop a giant obviously CG-ed structure, unmentioned yet obvious collateral damage, it has it all. This is, after all, a comic book movie.

But it’s that rare breed of comic book movie, which is to say, it’s the R-rated kind, meant for adults though we all know the youngsters will probably eat this up. We’ve had “Watchmen” and the “Kick Ass” movies, and the very underappreciated “Punisher: War Zone,” and that’s it. And now we can add “Deadpool” to that list, which is as violent and foul mouthed as a Marvel-branded movie featuring X-Men characters will probably ever get (until the sequel anyway), and thanks to the very nature of the Deadpool character from the comics, they have something that other comic book movies can’t get away with, which is directly referencing this movie as it plays out as well as other comic book movies, bringing a weird element of meta-comedy that feels refreshing among the deluge of superhero movies we’ve been getting hit with for a few years now (and no end in sight).

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Review: ‘Hail, Caesar!’

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“Hail, Caesar!” has been marketed as a high paced screwball comedy, a sort of spoof of the 1950s Hollywood studio system and the distinct genres of movies in which that system trafficked, replete with odes to Gene Kelly dance numbers, Esther Williams aquamusicals, hokey Westerns and of course prestige pictures. But being a Coen brothers movie, audiences will be getting more than just jokes, as this is not the high paced comedy advertised, but instead an alternately silly and somber reflection on faith, purpose and personal fulfillment, emphasized by scenes in which characters discuss communism or have dialectic debates on the truth of divinity in disparate theologies. The Red Scare and Catholic Guilt, both examined in a movie about the one sane person keeping the nuthouse in check.

That one sane person is Eddie Mannix (Josh Brolin), who runs the day to day operations of Capitol Pictures, which fans of the Coens’ film “Barton Fink” will recognize as the same studio for which Barton wrote in the 1940s (they even name drop Wallace Beery again), and this whole story pretty much plays out over the course of 27-28 hours, though its one of those days that just happens to be pretty pivotal for our main character. While he goes around the studio lot addressing problems and making sure everything is fine, he’s also thinking about a job offer he has to go work for Lockheed Martin, a job that would give him easier hours, better pay, and a guaranteed gig for a very long time. But…would he find it fulfilling?

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Review: ‘The Night Before’

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“The Night Before” is a Christmas carol type of movie for youngsters in their 20s and 30s who appreciate a good dick joke, but also appreciate the movie’s genuine appreciation for the holiday spirit. Like a mash up of “A Christmas Carol” and Martin Scorsese’s “After Hours,” this is a story that takes place all in one night but deals with our main characters’ pasts and futures, all the while Christmas Eve shenanigans go on all around them.

Sure this is a ridiculous comedy with plenty of drug references and R-rated jokes and, depending on your point of view, a bit of blasphemy, but at the center of it all is an honest little story of three men in their early 30s who find themselves at a transitional point in all of their lives, a point that could be causing them to drift further away from each other. Whether it be careers or growing families or just growing old, things can’t stay the same way forever and growth is needed, which is hard to do when one person struggles with the growth part.Continue Reading …

Review: ‘Grandma’

Grandma_Poster“Grandma” is the rare kind of movie, a film in which the lead character is a woman “of a certain age,” which is refreshing and wonderful because of the well documented plight of actresses in Hollywood and movies at large and how hard it is for women to get decent roles in good movies which amount to more than just “wife” or “girlfriend” or “prostitute.” Now of course this is a low budget film made outside of the system, but naturally often times the system must be fought from the outside, and this movie is a noble blow in that fight. Funny and heartfelt, this is exactly the kind of indie festival darling that has the power to break out and be seen by more people than expected, and deservedly so.

Widowed poet Elle (Lily Tomlin) starts her day by breaking up with her girlfriend of four months Olivia (Judy Greer) because Elle is incapable of saying whether or not she loves her, driving Olivia away, and before she can even recover from this trauma, she gets another surprise – her granddaughter Sage (Julia Garner) shows up on her door asking for $630 so Sage can pay for an abortion later that evening. As Elle is broke and has no credit cards, she agrees to help Sage raise the money. And from there they go around town, visiting friends and acquaintances from whom they might be able to get the money they need. Meanwhile they naturally learn a little bit about each other and themselves along the way.Continue Reading …

Review: ‘Vacation’

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Well they have been threatening to make this movie for years, so it was inevitable that it was about to happen whether we asked for it or not. “Vacation” picks up where the previous “National Lampoon’s Vacation” movies have left off, picking up and continuing the story of one of America’s most hapless families, this time getting into the not-so-great family life of the next generation of Griswolds.

When “Vegas Vacation” ended 17 years ago in that dark theater you were sitting in, did you immediately wonder what would it be like if Clark’s son Rusty grew up, had a shitty family, and went on his own family vacation? No, you didn’t? Well here you go anyway.

Rusty started out as skinny Anthony Michael Hall in 1983 and is now middle-aged Ed Helms. His oldest son James is a passive dork and a bit of a sensitive weirdo and his youngest son Kevin is a little foul mouthed shit with serious issued with giving respect. And his wife Debbie (the always delightful Christina Applegate) is bored with the marriage to the point of apathy. To get his family out of this rut, Rusty unilaterally decided to amend their summer vacation plans to a road trip from Illinois to California to visit the theme park Wally World a.k.a. the same road trip his dad Clark took his family on all those years ago. And of course things go wrong every step of the way because that’s the point of the movie even existing, to watch a family go through shit, sometimes literally, to get to where they need to be.Continue Reading …

Review: ‘Ted 2’

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Oh comedy sequels. Why do you even exist? We enjoyed the original the first time around when it was fresh and new and interesting, we laughed, we had a good time, and when it was all said and done, we told our friends about it and we all had a good laugh together as we recounted our favorite jokes and bits. And then a couple of years go by, and along comes the inevitable sequel, and we all go see it, and it is just not as good. We chuckle, maybe we’re amused throughout, but familiarity breeds contempt and seeing the same jokes repackaged just feeds right into the law of diminishing returns. It’s more of the same, but somehow it is also less. That is the essence of the comedy sequel. That is “Ted 2.”

When “Ted” came out a few years ago, the idea of a foul-mouthed talking teddy bear hanging out with Mark Wahlberg and doing crazy shit was novel, it was ridiculous and absurd and then we saw the movie and we were surprised when it worked so well. But there is a moment in the beginning of that movie in which it is explained that the world got used to Ted and his talking teddy bear status and he faded into cultural obscurity as a relic of a by-gone era (i.e. 1980’s celebrityhood), and when people encounter him, they don’t care as much as they used to. So should anyone be surprised that the movie is the same way? Because here is “Ted 2” and it is less special and interesting this time around because we’ve already seen this. We get it. It is a talking teddy bear and he hangs out with a guy and they smoke weed and love Flash Gordon and consume Bud Light in every other scene. Why are we spending another two hours with these guys?Continue Reading …

Review: ‘Dope’

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“Dope” has a common and basic skeleton of a story that should be instantly familiar to just about everyone. We’ve all heard stories and read books and seen movies and TV shows about a “good” person stuck in a bad situation, who usually has to resort to something they normally wouldn’t do in order to survive. Whether its a kid growing up in a bad neighborhood or a person working for a shady company or a person stuck with their shitty family, this is a go-to story because it is quite common and often relatable. What sets “Dope” apart is the specifics, the details, the little things that all add up to give this particular movie its own identity.

“Dope” centers on Malcolm (Shameik Moore), a high school senior living in a stereotypically rough Los Angeles neighborhood, where he spends most of his time with his single mom and his two best friends, and with the latter he has a pop-punk kind of band, and they also spend a lot of time delving into 1990’s hip-hop culture, lamenting that this was the golden age of rap music (though the movie doesn’t state it, I bet Malcolm is not a Young Thug fan). After a long set up establishing who Malcolm is and what his normal day-to-day plight is like, we gets himself invited to a club for a local drug dealer’s birthday party which turns into a shoot out which turns into Malcolm unwittingly making off with a couple of bricks of powdered MDMA and a gun. He (and his two friends) then find themselves having to sell the drugs for a local drug dealing big shot so that Malcolm can get a solid recommendation for his Harvard application (long story), and also so they don’t die.Continue Reading …

Review: ‘Inside Out’

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“Inside Out” is another one of those “it’s for the kids but it’s REALLY for the parents” kind of animated movies, you know, the ones Pixar has excelled at for about two decades or so, the movies that are cute, brightly colored and imaginative in a way that sucks in the young ones and holds their attention, but traffic in ideas that are decidedly the stuff of adults, requiring some life experience and perspective for the themes to really resonate, which rest assured they do. Want to take the kids to a movie about the imminent end of their childhoods? Then “Inside Out” is for you! That’s what I’d put on the poster anyway.

In “Inside Out,” 11-year old Riley moves with her Mom and Dad (because where else is she gonna go?) from somewhere in Minnesota to San Francisco. The move is due to Dad getting involved in some fledgling tech business, with Mom and Riley dutifully coming along, and this all has some negative effects on Riley, who has trouble adjusting to her new surroundings. A pretty dull set up, as far as plots go. But while this story plays out, a majority of the movie takes places inside Riley’s brain; the emotions of Joy, Sadness, Anger, Disgust and Fear are personified as five little characters that “work” inside Riley’s head, looking through her eyes like a giant viewscreen and collecting and collating her memories around the clock and storing them in the right places, with Joy leading the charge, doing her best to ensure that Riley is having a happy life.Continue Reading …

Review: ‘Spy’

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Melissa McCarthy and Paul Feig killed it with “Bridesmaids,” and they even made some of that sweet cash money with the not-as-good “The Heat” (a movie that I didn’t dislike but felt could have been developed more beyond it’s initial premise), and here they are with “Spy,” their third go-around together in the form of a spy movie spoof. And let me tell you, as unpromising as “Melissa McCarthy spy movie spoof” sounds, this thing actually works damn well on a few levels and may be the biggest surprise of the summer for me.

“Spy” is about Susan Cooper (McCarthy), a CIA Agent who works at the headquarters as a desk jockey, talking to a field agent through an ear piece and providing important and life saving information during each mission. The agent she has been working with is Bradley Fine (Jude Law), a total James Bond type of spy, and they work really well together and she also obviously loves the guy very much. So when a mission goes wrong and he is killed by a wanna be nuclear weapons dealer named Rayna (Rose Byrne) and it turns out that Rayna knows the identities of all of their field agents, Susan volunteers to go into the field for the first time on a simple “search & report” mission. And of COURSE she gets in way too deep and does much more than just report, as she feels she can stop Rayna and the nuclear weapon deal herself.Continue Reading …

Review: ‘Entourage’

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Do you have to be a fan of the original “Entourage” HBO television series in order to enjoy the “Entourage” movie? Yeah most likely, or else you won’t understand who these characters are or why they do what they do. But will being a fan of the show guarantee that you will like the movie version? That depends on how low you set your bar for cinematic expectations. Because “Entourage” the movie is just an overly long, low stakes, lightweight episodic installment of the first world problems of people who are absurdly rich and hugely successful already.

In the television show, we started out with movie star to be Vincent Chase (Adrian Grenier) and his “entourage” of friends and they started out at the bottom, with minimal credits and experience and a long shot at “making it.” Over the course of eight seasons, they clawed their way to the top, and along with Vince’s agent Ari Gold (Jeremy Piven), they all became hugely successful one way or another, got what they wanted, and ended the show on top of their respective worlds. Vince is a huge movie star and gets married, his best friend and manager Eric (Kevin Connolly) has a successful agency, his brother Johnny Drama (Kevin Dillon) followed up two runs on successful shows with yet another successful show, Vince’s driver Turtle (Jerry Ferrara) has become a tequila millionaire, and Vince’s agent Ari has enough money to retire in Italy with his wife.Continue Reading …

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