Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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Review: ‘The Master’

The-Master-UK-Quad

Paul Thomas Anderson’s “The Master” is now available for mass consumption in home viewing form, and now it can be seen by many more people, many of whom will be downright flummoxed by this film, a strange and meandering tale of two men and their friendship forged through some psychotherapy and a shared love of harsh drink. Oh, and one of those guys is starting a weird cult-like group that has more than a thing or two in common with Scientology.

The movie starts with Freddie Quell (Joaquin Phoenix, Walk the Line) in the Navy during World War II, but he isn’t shown doing any war type things. Instead he’s on a beach with a bunch of other naval men, doing different things like cutting up coconuts and wrestling around and making a large naked woman out of sand, and in most of these things, it is already obvious that Freddie is a little off. And when he’s on the ship with everyone, he siphons fuel from torpedoes and drinks it to get hammered and then passes out on a high perch where other sailors can through shit at him. And while we don’t see him in combat, we do get to see his exit interview from a VA hospital ward for soldiers with post-traumatic stress syndrome (though of course back then it was handled much differently than today), so maybe this guy is a little wacky because of what he’s seen and done in the name of war?Continue Reading …

Review: ‘Snitch’

Snitch-with-Dwayne-Johnson

This poster promises truck carnage. The movie delivers.

Welcome to the year of Dwayne “The Rock (copyright World Wrestling Entertainment, Inc)” Johnson, a year with four different movies featuring the most successful wrestler turned actor since Hulk Hogan, two of these movies from film franchises, another movie from the most bombastic director working today, and “Snitch,” a family drama and thriller about the downside of federal mandatory minimum sentencing laws in regards to the oh-so-costly War on Drugs (copyright Richard “Tricky Dick” Nixon).Continue Reading …

Review: ‘Sound of My Voice’

SoundOfMyVoice_Poster

“Sound of My Voice” is a very low-budget psychological thriller from 2011, and much like “Another Earth,” it is an admirable attempt at a genre picture, featuring some interesting ideas, but ultimately hollow due to insistence on ambiguity for the sake of being ambiguous. A great premise is introduced, some character drama happens in the interim, and then BAM! an ambiguous and unsupported ending, used in an unfortunate attempt at profundity and lacking any real dramatic punch because really the movie refuses to come out and say anything.

The movie starts with Peter and Lorna infiltrating a very small but elaborate cult, based on all the bathing and sanitizing and secrecy, and apparently by the time the movie begins they have already made significant headway into the cult, established by the fact that they know some ridiculous and elaborate secret handshake that allows them ultimate access to the cult leader, Maggie, a young woman who claims to be a time-traveler from the year 2054, and who has come back to gather disciples to form sort of army for some future civil war or something like that. She’s all quietly charismatic and is introduced with an oxygen tank, showing she is ill, and she guides her news disciples through a series of exercises, and the whole while Peter and Lorna are there trying to suss her out and see what’s up.Continue Reading …

Review: ‘Side Effects’

side-effects-movie-poster

Steven Soderbergh’s final theatrical release before he takes an indefinite leave of absence from the director’s chair, “Side Effects” is a pretty fine way to go out, a showcase of solid, sure handed direction and across the board great acting, all in the service of telling a very good story.

Set in the pharmacological world and trafficking where the roads of medicine and big profits meet, this movie starts out as a small character drama about clinical depression before gradually turning into something of a throwback to the 1970s paranoia thrillers, in which the well meaning protagonist gets caught up in a dirty world and eventually finds out he was more of a pawn then he could have ever imagined.Continue Reading …

Review: ‘Holy Motors’

Holy Motors

“Holy Motors” is an arty French satirical dark comedy, and goodness is that a lot of quirky baggage for one movie, yet here they are, daring to be as arty and as French and as wonderfully weird and off the wall as possible. Those out there adverse to such whimsical and sometimes maddening storytelling will find much to dislike in this movie, while conversely those who seek out different and strange movies will stumble across an embarrassment of riches in this twisted journey of one man going about his day’s work.

The best way to see this movie (or just about any movie, in my opinion, which is why you are here to begin with), is with as little information beforehand as possible. That way there are no expectations and nothing is spoiled and the movie can take it’s time in showing it’s cards. If at all possible, bookmark this review and see the movie first and then come back here and read the rest. You’ll have a more bewildering yet exciting and ultimately fulfilling experience, trust me on that one. And this is the internet, so it is not like this review is going to go anywhere. We’ll all still be here when you get back.Continue Reading …

Review: ‘Zero Dark Thirty’

Looking saucy while looking for terrorists...

Looking saucy while looking for terrorists…

What an intense movie. “Zero Dark Thirty” (a title which never, ever gets explained at any point or in any way) starts out with audio snippets of emergency calls from New York City on September 11, 2001, and after sixty to ninety grueling seconds of this we finally cut to our film’s first scene – an intense interrogation in which a Saudi fella gets what is known in the industry as “the business,” brutal treatment and humiliation only stopped so that questions could be shouted at him. And off we go, an epic movie about the multinational manhunt for infamous terrorist Osama Bin Laden, and while it starts off quite grueling, it eventually settles into the familiar rhythm of a typical political thriller, albeit with the added dimension of this being based on a very true and very well known event in our very immediate history.Continue Reading …

Review: ‘Broken City’

Broken City

Broken City

In the grand tradition of the political investigative thrillers of the 1970s, “Broken City” is a throwback to those movies about corrupt city officials making shady deals while some sap is hired to do some small task, only to have that sap get to peek behind and attempt to throw the whole thing out of whack. Cause you see, these saps never like being used as saps, and it pisses ’em off when it does. This goes beyond the 1970s, think of the pot-boiled detective novels of the 30s/40s, in which the down on their luck detective get hired to do some dirty work, only to discover the work was far dirtier than they were led to believe, causing them to have to dig deep to make sure things get sorted out correctly. That’s “Broken City.”Continue Reading …

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