Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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Review: ‘Night Moves’

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Not to be confused with the 1975 Gene Hackman-starring murder mystery of the same name, “Night Moves” is the story of three idealistic environmentalists who decide that they need to make a grand statement to the world by destroying a hydroelectric dam, hence really sticking it to The Man through an act of eco-terrorism. But of course the story is about much more than just that one act, or even the particular reasons for committing said act. Instead this is a story about the characters who perpetuate this act, and what it means to them in a more existential way, as well as what the act does to them in a physical, worldly consequences kind of manner.

Josh (Jesse Eisenberg) and Dena (Dakota Fanning) are young hippie-ish folks living in the Pacific Northwest, Oregon specifically, and they seem to really care about the environment and the world they live in. They even go to private screenings of what appear to be homemade documentaries about how the Mother Earth is being destroyed by humans, projected on a poorly hung white sheet and watched by a group of dirty stoners who react to the movie with cynicism and cries of “what are we expected to do?” But while Dena sits front row and seems to take in the message of the documentary, Josh hangs back and rolls his eyes at the lack of answers and obstinate nature of the crowd. He’s obviously over these get togethers and the rhetoric. He desires action.Continue Reading …

Review: ‘Maleficent’

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In Disney’s “Maleficent,” the world finally gets a chance to hear and see the story that no one wanted to know, the back story of the evil fairy witch lady from the Sleeping Beauty fairy tale. You know that one, right? We all know it. The young princess gets cursed by some mean old bitch to fall into an eternal sleep by her 16th birthday through the pricking of her finger on a loom, and she can only be saved by a kiss of true love. And when we all heard this story when we were kids, that’s the thing that we wondered about, right? Why did she do this whole cursing thing? Who is this lady? What makes her tick? Well step right up for answers.

Continue Reading …

Review: ‘Joe’

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“Joe” is a very interesting character-based Southern drama from David Gordon Green; specifically the David Gordon Green that made movies like “All The Real Girls” and “Undertow” and “Snow Angels” and “Prince Avalanche” as opposed to the David Gordon Green known for the more mainstream “Pineapple Express” and “Your Highness.” We got a moody, atmospheric, heady film, concerned much more with character development and emotional arcs as opposed to mugging for guffaws and weed jokes and dick jokes and such. So actually I guess it depends on which mode of DGG you prefer, though there’s nothing wrong with liking both. I like both.

But “Joe” is certainly the former, a story about an ex-con (Nic Cage) who runs a possibly illegal crew of tree-killers, paid to pave the way for some developers, and the 15-year old drifter kid he takes under his wing and who might actually be able to help give Joe a second chance on life.

This kid, by the way, named Gary, is played by a dude named Tye Sheridan, and he’s putting together a helluva filmography so far, with this being his third movie after “The Tree of Life” and “Mud.” Now there’s a connection there between the three movies, with David Gordon Green being a friend and collaborator of “Mud” director Jeff Nichols on Nichols’ first movie “Shotgun Stories,” and both Nichols and Green being obvious admirers of the work of “The Tree of Life” director Terrence Malick and also with Green and Malick becoming friends and collaborators themselves with “Undertow.” So it all comes back around, these great American filmmakers of different generations.Continue Reading …

Florida Film Festival 2014 review: ‘The Double’

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“The Double” is a bleak, angst-ridden surreal psychological thriller dark comedy about a man, in the midst of an existential crisis, who meets his physical double and at first they appear to be allies but things quickly go from bad to what the fuck. From writer/director Richard Ayoade and loosely based on the 19th century Russian lit classic of the same name, “The Double” is one of the most original and interesting movies I’ve seen in quite awhile, bursting with ideas and a deliberate energy that just makes this whole thing hum along very loudly and distinctly.Continue Reading …

Florida Film Festival 2014 review: ‘Dom Hemingway’

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“Dom Hemingway” is mostly a showcase of Jude Law, who gets to put on some weight and play an over the top character with a penchant for cussing and long monologues, and while he knocks his portion of the movie pretty much out of the park, the rest of the movie around him is merely good, with some flash and style to go along with a little bit of substance, but ultimately not really saying anything new or unique with the story and characters.Continue Reading …

Review: ‘Noah’

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Darren Aronofsky’s “Noah” is here after a couple years of anticipation, and this is just about the weirdest, most off-kilter, non-mainstream mainstream movie to come out in theaters since “Watchmen” in 2009. I can only imagine what some people were thinking when less than ten minutes into this very short but well known biblical tale the idea of fallen, multi-limbed angels encased in rock gets introduced and then relied upon heavily throughout the film. Definitely don’t remember giant rock ex-angels in Sunday School. Yet here they are. Okay, let’s back up a bit.

So this Aronofsky fella, he makes a bunch of incredible low budget movies, one of em finally hits and makes some coin, and he finally finds himself able to get his apparent dream project off the ground, which is a big screen version of the Noah story, one that takes up very a couple of pages in the Bible, yet is pretty well known by everyone: God made the world and he made Man. Man got all corrupt and evil, so God was like “time to shake this etch-a-sketch” and he told Noah to make a boat, put two of each animal on it, and ride out the flood that will destroy everyone else. Which Noah did. And then his family somehow repopulated the Earth. Pretty straightforward, not really much there, so why are we even going here with this movie? Didn’t we already get “Evan Almighty?” Isn’t that enough?Continue Reading …

Review: ‘The Grand Budapest Hotel’

grand-budapest-hotelGo ahead and take a look at this particular IMDB page here, especially the “Director” section, and take a moment to assess those titles. Are they familiar, and if so, did you enjoy them? Because that’s Wes Anderson, and this is a Wes Anderson movie, which is to say, if you enjoyed any of those movies, there is a good chance you will enjoy “The Grand Budapest Hotel.”Continue Reading …

Review: ‘Dallas Buyers Club’

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“Dallas Buyers Club” is a good movie, elevated by an incredible lead performance from one Mr. Matthew McConaughey. But if you’ve been paying any attention lately, you’ve noticed that ole McConaughey is no longer a joke, as he has abandoned the romantic comedies that squandered his talents and has turned in a long string of excellent performances in movie after movie after movie. As a matter of fact, his recent award nominations and wins for his role as homophobe turned entrepreneur turned AIDS activist Ron Woodroof feels like he’s getting the accolades not just for this one part but for all the movies he’s done in the last few years, because he could have easily gotten all this same attention for his amazing work in “Killer Joe,” “Magic Mike” and “Mud,” along with his lauded turned in “The Wolf of Wall Street,” “Bernie” and “The Lincoln Lawyer.” But hey, this role makes for a great cap to a great run of movies. And considering McConaughey has Christopher Nolan’s “Interstellar” next, the career resurgence of the Mac is complete. Welcome to the A-List, buddy.Continue Reading …

Review: ‘Nebraska’

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“Nebraska” is yet another funny yet sad entry in the filmography of Alexander Payne, one filled with lonely people struggling to find and hold on to the small things that make them happy in lives that are otherwise kind of miserable.

Take for instance Woody Grant (Bruce Dern). See, old Woody is just that…old. He’s a half-deaf Korean War veteran who likely saw something that changed him forever, and he seems to be going just a little senile as well, and he also seems to be a bit of an alcoholic on top of all that. He got a notice in the mail that he MIGHT have won a $1 million, but everyone knows that this notice is just a scam in order to get him to subscribe to some magazines. But Woody either doesn’t know this or just doesn’t want to know and has decided he is going to hand deliver the “winning” letter to the prize office in Nebraska, even if that means walking all the way from his home in Billings, Montana.Continue Reading …

Review: ‘Her’

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“Her” is one of the most complete and satisfying movies released in theaters in this country in who knows how long. Equal parts rom-com and relationship drama, with a little futuristic sci-fi thrown in for good measure, this is a very emotional movie about relationships and how they evolve, whether they include romantic entanglements or not, and for good measure, it is also a movie about how humans relate to each other in the face of ever-changing technology. And it’s all done in a very sweet, melancholy, smart and funny way, which pretty much makes this whole movie a revelation, as one of the more thrilling things in this world is when a beautifully realized artwork like this is unveiled in all of its beauty.

“Her” is set in an unspecific not-too-distant future, one that is very recognizable to us but also features technological advancements that we can easily imagine. When the movie starts we are with our lead character Theodore Twombly (Joaquin Phoenix), whose unfortunate moniker is pretty much the worse thing about this whole film, and he is in the midst of his job, which is to write beautiful handwritten letters (of course not really handwritten but faked to appear handwritten) on behalf of paying customers, which means he has to pour all of these heavy emotions, whether they be love, or grief, or regret or whatever, out of himself and into these letters for people whom he has never met and really doesn’t know. He then leaves his job and heads to home, where is super lonely and loves to listening to sad music to match his mood, as his world is falling apart around him due to the dissolution of his marriage to his wife (Rooney Mara). And in case we don’t get that he misses her and he is lonely, we get to see him lay in bed thinking of idyllic flashbacks of his soon to be ex-wife, whom he is very hesitant to officially let go.Continue Reading …

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