Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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Review: ‘Sound of My Voice’

SoundOfMyVoice_Poster

“Sound of My Voice” is a very low-budget psychological thriller from 2011, and much like “Another Earth,” it is an admirable attempt at a genre picture, featuring some interesting ideas, but ultimately hollow due to insistence on ambiguity for the sake of being ambiguous. A great premise is introduced, some character drama happens in the interim, and then BAM! an ambiguous and unsupported ending, used in an unfortunate attempt at profundity and lacking any real dramatic punch because really the movie refuses to come out and say anything.

The movie starts with Peter and Lorna infiltrating a very small but elaborate cult, based on all the bathing and sanitizing and secrecy, and apparently by the time the movie begins they have already made significant headway into the cult, established by the fact that they know some ridiculous and elaborate secret handshake that allows them ultimate access to the cult leader, Maggie, a young woman who claims to be a time-traveler from the year 2054, and who has come back to gather disciples to form sort of army for some future civil war or something like that. She’s all quietly charismatic and is introduced with an oxygen tank, showing she is ill, and she guides her news disciples through a series of exercises, and the whole while Peter and Lorna are there trying to suss her out and see what’s up.Continue Reading …

Review: ‘A Good Day to Die Hard’

A-Good-Day-to-Die-Hard-Quad-Poster

This is what we were all afraid of, this is the exact thing that everyone doesn’t want to see happen, yet here it is, it has happened, it is in our face and all we can do is take it because we are all suckers. When people turned out in droves for the summer blockbuster, PG-13 rated and preposterously titled “Live Free or Die Hard,” certain people’s eyes lit up, as they saw they could still squeeze quite a bit of money out everyone’s favorite New York City detective perpetually in the wrong places at the wrong times. So here is some more squeezing, this time an R-rated non-blockbuster but still a new “Die Hard” movie, still featuring an ever-aging Bruce Willis, and still getting worse than ever as a franchise.Continue Reading …

Review: ‘Identity Thief’

Identity-Thief-UK-Quad-Poster-585x438

“Identity Thief” is the new comedy from Seth Gordon, who made the great documentary “King of Kong: A Fistful of Quarters” as well as the rather funny comedy “Horrible Bosses,” but I do fear that this current movie we have here about a woman who steals a man’s personal information in order to run up ridiculous credit charges and bills only to have that man track her down as a form of a generic everyman justice is much closer to Mr. Gordon’s “Four Christmases,” a rather lackluster and unfunny Christmas comedy that everyone has all but forgotten by this point. Except Vince Vaughn. Surely it keeps him up at night, haunting him.Continue Reading …

Book review: ‘Superman vs. Hollywood’

"Superman vs. Hollywood" by Jake Rossen

“Superman vs. Hollywood” by Jake Rossen

“Superman vs. Hollywood: How Fiendish Producers, Devious Directors, and Warring Writers Grounded an American Icon” is as compelling as that full title sounds, as Superman is a property that has been around since 1938, and make no mistake, this book goes to great lengths to show that Superman has often been handled as just that very thing – property.

Starting with his modest roots in the comic books of the late 1930s, this is a thorough accounting of all the projects that this character inspired, from radio to television to film and back again, and more interesting than the actual projects made are all the different projects that almost got made but never happened; much money was spent on Tim Burton’s 1990s take on Superman, with Nic Cage signed on to wear the tights and cape, but that plug got pulled after much craziness, much like the Kevin Smith commissioned Superman script and the J.J. Abrams’ script that got killed by a scathing review on the geek-centric website Ain’t It Cool News and scared off executives from committing to his weird version of this very well known story.

There’s even the Lois Lane television series that got a little bit of traction before going nowhere, and in introducing the roots of the successful television series “Smallville,” there is a lot of time spent on a never produced pilot for a proposed show called “Bruce Wayne,” which would have been a series about the character of Bruce Wayne in the years leading up to his becoming Batman. As the pilot script called for a cameo from a young Clark Kent, someone took that idea and turned it into “Smallville.” Cray.Continue Reading …

Review: ‘Side Effects’

side-effects-movie-poster

Steven Soderbergh’s final theatrical release before he takes an indefinite leave of absence from the director’s chair, “Side Effects” is a pretty fine way to go out, a showcase of solid, sure handed direction and across the board great acting, all in the service of telling a very good story.

Set in the pharmacological world and trafficking where the roads of medicine and big profits meet, this movie starts out as a small character drama about clinical depression before gradually turning into something of a throwback to the 1970s paranoia thrillers, in which the well meaning protagonist gets caught up in a dirty world and eventually finds out he was more of a pawn then he could have ever imagined.Continue Reading …

Review: ‘Bullet to the Head’

bullet-to-the-head-poster

Adapted from a French graphic novel, “Bullet to the Head” is an action movie that works as something of a throwback to the action films of the late 70s and 80s, though it has its fair share of modern touches to bring it in line with modern action movies, for both better and worse.

The story is some nonsensical mess about an aging hit man named Jimmy “Bobo” Bonomo (Sylvester Stallone, The Expendables 2, Rocky Balboa) who does a hit as contracted and then immediately gets set up by his employer, which results in the death of his hit man partner for whom Jimmy Bobo seemed to have some sort of affinity. So he sets out to find out the who’s and the why’s of the whole set up and to kill whomever is responsible. This includes the gigantic rival hit man Keegan (Jason Mamoa, Conan The Barbarian), and they build up nicely to the eventual one on one battle between the two assassins (and as shown in all the trailers and commercials, it’s an axe battle. Because why not). And to liven things up, out of town cop Taylor Kwon (Sung Kang, Fast Five) shows up and offers to help Jimmy Bobo get some answers in exchange for a tour through the criminal underworld so he can find the guys that set everything up. Because why not.Continue Reading …

Review: ‘Warm Bodies’

WARM-BODIES-One-Sheet

When can we put this zombie thing to bed, at least for a little while? Looks, I was super into zombies like everyone there for a hot minute, and then I was done with them, and that is when “The Walking Dead” aired on the television and this zombie thing somehow got even more popular. But you can all feel it, right? The end? Because when we’re down to movies about zombies who re-learn how to live and fall in love, I am pretty sure we’re scraping the bottom.Continue Reading …

Review: ‘Holy Motors’

Holy Motors

“Holy Motors” is an arty French satirical dark comedy, and goodness is that a lot of quirky baggage for one movie, yet here they are, daring to be as arty and as French and as wonderfully weird and off the wall as possible. Those out there adverse to such whimsical and sometimes maddening storytelling will find much to dislike in this movie, while conversely those who seek out different and strange movies will stumble across an embarrassment of riches in this twisted journey of one man going about his day’s work.

The best way to see this movie (or just about any movie, in my opinion, which is why you are here to begin with), is with as little information beforehand as possible. That way there are no expectations and nothing is spoiled and the movie can take it’s time in showing it’s cards. If at all possible, bookmark this review and see the movie first and then come back here and read the rest. You’ll have a more bewildering yet exciting and ultimately fulfilling experience, trust me on that one. And this is the internet, so it is not like this review is going to go anywhere. We’ll all still be here when you get back.Continue Reading …

Review: ‘Parker’

Jason Statham as Parker in 'Parker'

Jason Statham as Parker in ‘Parker’

Who ordered the half-baked Jason Statham movie? We got a big steaming order of generic, run of the mill Jason Statham movie here, we know somebody must have asked for this thing, right? From the director of “Ray” and “An Officer and a Gentleman?” Because that makes sense. That must be the only reason why this latest in the long string of bland, interchangeable Jason Statham action movies was actually made. Are guaranteed $7-10 million opening weekends and middling at best critical responses enough to do it? Cause that’s what his movies like “Safe,” “Killer Elite” and “The Mechanic” bring in, and “Parker” is no different.Continue Reading …

Review: ‘Zero Dark Thirty’

Looking saucy while looking for terrorists...

Looking saucy while looking for terrorists…

What an intense movie. “Zero Dark Thirty” (a title which never, ever gets explained at any point or in any way) starts out with audio snippets of emergency calls from New York City on September 11, 2001, and after sixty to ninety grueling seconds of this we finally cut to our film’s first scene – an intense interrogation in which a Saudi fella gets what is known in the industry as “the business,” brutal treatment and humiliation only stopped so that questions could be shouted at him. And off we go, an epic movie about the multinational manhunt for infamous terrorist Osama Bin Laden, and while it starts off quite grueling, it eventually settles into the familiar rhythm of a typical political thriller, albeit with the added dimension of this being based on a very true and very well known event in our very immediate history.Continue Reading …

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