Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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FFF 2015 Movie Review: ‘Body’

Not all movies at film festivals need to strive for profundity or need to embrace some sort of cause. Sometimes movies are just movies and they are just supposed to…

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FFF 2015 Movie Review: ‘Homeless’

Sometimes movies are made for pure escapist entertainment, involving crazy sci-fi ideas or caped and masked superheroes or bank heists or ridiculous and unbelievable love stories, and these movies are…

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FFF 2015 Movie Review: ‘Results’

“Results” is the kind of romantic comedy that doesn’t get made often enough, in that it doesn’t just focus on the differences between genders, it doesn’t devolve into some stupid…

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FFF 2015 Movie Review: ‘Uncle John’

The cop from “Beverly Hills Cop” that’s not Eddie Murphy or Judge Reinhold is “Uncle John,” a real salt of the earth kind of guy, who leads a simple life…

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FFF 2015 Movie Review: ‘Nixon’s Coming’

“Nixon’s Coming” is a 9-minute short film about a weird meeting between President Richard Nixon and a small group of drugged up student protesters in the early morning hours on…

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Netflix pick for 4/13/15 – ‘School of Rock’

“School of Rock” is a great 2003 movie in which Jack Black teaches a room full of grade school kids the important of ROCKING OUT. That’s it. If you need…

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FFF 2015 Movie Review: ‘Spearhunter’

“Spearhunter” is a 14-minute short film about a man’s obsession with not only a particular form of hunting, but with the idea of securing his own legacy, one that would…

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#118 – Moscow, We Have Problem

 (Right Click Download Link To Save) In episode 118, Chris Crespo and Drewster Cogburn are joined by returning guest DJ Baby Lac! Drew and Chris review Results, The Desk and…

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FFF 2015 Movie Review: ‘Welcome to Leith’

“Welcome to Leith” is a fascinating documentary about a small town in North Dakota and how they reacted when a well-known white supremacist moved in with the intention of turning…

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FFF 2015 Movie Review: ‘The Desk’

So what is “The Desk?” Apparently submitted to the festival as a narrative feature despite clearly being a documentary (a meta-documentary, but a documentary nonetheless), “The Desk” is part biography and part…

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