Chris - Cinema Crespodiso - Page 102 of 151

Netflix pick for 2/2/2015 – ‘Ernest Saves Christmas’

What better way to celebrate the month of February than a Christmas movie from 1988? More specifically, one involving a buffoonish character born from the world of regional television commercials who then went on to have a string of movies centered around him, including this one about finding a new Santa Claus. Even more specifically, I am talking about “Ernest Saves Christmas.”

A really smart person once wrote about “Ernest Saves Christmas:”

The movie is competently made, so there is no awkward camera work, bad lighting or overly bad acting. Whether or not the humor works for you is something else all together. There is definitely comedic gold when Ernest pretends to be someone else. Worrell seems to be some sort of idiot savant when it comes to disguises, especially since they work each and every time. The rest of the Ernest humor comes from his “wacky” slapstick, some of it funny and some of it not. There are a decent number of scenes dedicated to Chuck and Bobby, the Airport storage agents, who get sufficiently freaked out by the reindeer but then oddly get adjusted to them very quickly. The final scene of the movie hints that maybe a spin off movie (or TV series) could have been made of Chuck and Bobby dealing with various holiday -related icons come to life, but alas that will forever be a dream. The movie is simple and predictable but also kind of sweet and endearing, and as far as Christmas movies go, you could do a whole helluva lot worse.

#108 – Stupor Bowl Sunday

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In episode 108, Chris Crespo and Drewster Cogburn review Project Almanac.

Chris also reviews Two Days, One Night and The Loft and Drew reviews Frank.

Also in this episode:

The Wet Hot American Summer prequel mini series on Netflix.

A US version of Black Mirror.

PRAT! PRAT! PRAT!

Star Wars news.

Cowboy Ninja Viking news.

Michael Keaton making a McDonalds movie.

George Lucas hates cat videos.

And much more!

Review: ‘The Loft’

“The Loft” is a twisty, turny thriller trying to be like a mix of Alfred Hitchcock and Brian De Palma and definitely falling short. If you like movies that have multiple plot twists because 2 or 3 just aren’t enough, then this is the movie for you, if you don’t mind some hyper editing and weird camerawork and overall silliness.

Vincent (Karl Urban) is a successful architect with a doting wife, four friends and a spare loft. He tells his friends that the five of them can share the loft and they can use it for their secret extramarital trysts. One morning, they find a dead woman in their loft and no one knows how she got there. Are they being set up? If so, then by who? Or is one of them lying to the others? As the five of them stand over the body and accuse each other of stuff and yell and scream and cry, we also get flashbacks of their whole story, starting with the introduction of the loft into their lives and then the different ways these guys used the loft, and how all of that may have possibly led them to their present moment of discovering a murder.

This movie might have been okay if they took a more straight forward approach to both telling the story and the visual approach of the movie. The whole flashback structure seems unnecessary. It may have been more interesting if they just told the whole story in chronological order, so that the murder is discovered about halfway through the movie. The constantly cutting back and forth feels very 1990’s, like splitting up the timeline would somehow make the whole thing more interesting or exciting, but really it is just kind of hacky. And then there are a lot of close ups of characters and a camera that moves around a lot, with lots of quick editing, and none of it was impressive or improved the story or helped tell the story visually. It just seemed like a lot of stuff designed to make the movie seem cooler than it was.Continue Reading …

Best of 2014 Bonus Episode

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In this BONUS episode, Chris Crespo and Drewster Cogburn proclaim their picks for the best movies of 2014, with additional picks from NYC senior correspondent Billy D, and they finish the show with the worst movies of the year.

Enjoy the opinionations!

Top 25 Movies of 2014 – 5 through 1

Here we are, these are my five favorite movies of 2014. And they probably are not your favorite movies. And you know what? That’s fine. Because this is my site, and these are my opinions, this is why we are here, so while these may not be the universally regarded best features of 2014, there are my favorites for sure, and if I was giving out all of the film awards, these are the movies that would be getting them.

Top 25 Movies of 2014 – 10 through 6

Now we are getting into the nit and the grit, the top ten of 2014 is underway. Movies that can either take us to whole other galaxies or just bring us right back here to Earth where shit that happened fifty years ago is still happening today, films that can tell us a real story of a psychotic person or make up a story about a fake psycho and still have it ring true in a weird way, here we are with numbers 10 through 6 of my top 25 of 2014 (that’s a lot of numbers).

Review: ‘A Most Violent Year’

“A Most Violent Year” is a NYC-set crime drama, but not like the ones we all think of when we hear this phrase. Way less “Goodfellas” and “Donnie Brasco” and much more like the genre-inverting films of Steven Soderbergh, this is a film about a guy who is trying his best NOT to become a mobster, despite the fact that he is surrounded by them, does business with them, and even seemed to marry into it. There is a difference between the right path and the path that is “most right,” and our hero of this story seems to ignore the distinction between the two. Is he a moral businessman? Or is he just a gangster without a gun?

Abel Morales (Oscar Isaac) owns Standard Oil and he is an up and comer in the industry, making headway into rival territories and building up his company into something he hopes will be massive and hugely successful. But he has a problem, and his problem is called New York City circa 1981. Corruption was rampant throughout the city, and his own industry was under investigation for their less than honorable practices. To make matters worse, Abel is dealing with the problem of his truck drivers getting beat up and his trucks hijacked for the thousands of dollars worth of fuel in them. So the union head wants to arm Abel’s drivers with guns for self-defense, but the last thing Abel needs is for one of his drivers to get involved in a shooting. And with impending indictments coming from the city district attorney’s office, his plans to take out a massive loan with his bank are thrown into jeopardy, which in turn puts him, his company and his family at risk of massive financial ruin. To say that the pressure is on for Abel Morales is an understatement.Continue Reading …

Top 25 Movies of 2014 – 15 through 11

2014 saw some interesting things at the cinema, like the return of an ass kicking Keanu Reeves, and a product placement movie that was wildly successful commercially and critically, and an under loved Tom Cruise sci-fi action flick that people really need to get on. Here we go with the continuance of my top 25 of 2014.

Netflix pick for 1/27/15 – ‘Punch-Drunk Love’

From the star of “Jack and Jill” and the director of “Boogie Nights” comes a romantic comedy about a designer plunger manufacturer, a mattress salesman, a phone sex line, a tiny broken piano, seven domineering sisters, pudding cups and frequent flyer miles. “Punch-Drunk Love” is by design much closer to the rom-coms of Billy Wilder than the ones we get today, and as such, it still holds up as a fantastic movie about love and building a new and exciting relationship.

Barry Egan (Adam Sandler) is a nice guy, just another business owner trying to make it in this country, and he’s perfectly fine with being left alone to his own devices, which bothers his sisters. One of his sisters tries to set him up with a friend of hers (Emily Watson) and the two of them awkwardly manage to hit it off in a way that gives Barry a little bit of hope, that he may too have a loving relationship and someone who can see past his social anxiety to the helpless, loving person underneath. In this movie, P.T. Anderson pretty much takes the man-child character that Sandler plays so well over and over in his broad comedies, and he applies the same persona in his more “serious” romantic comedy, one that relies much more on characterization than it does on poop jokes, and it works brilliantly.Continue Reading …

Top 25 Movies of 2014 – 25 through 16

It is finally here, that wonderful moment when I take a look back and realize that the previous year was actually chock full of damn good movies. So many good movies, in fact, that a top 25 barely covers it. But we are going to do a top 25 anyway, because 2014 was actually a year worth remembering for quite a few reasons.

And really 2014 might be known as the year of the “really good” movie, as in there weren’t that many super-amazing-oh-my-god knock out movies, but there was a damn plethora of extremely solid, really well made, entertaining, downright good movies. From small character films like “Locke” and “Chef” to true life movies like “Wild” and “Unbroken” to bigger pieces of “popcorn entertainment” like “X-Men: Days of Future Past” and “Dawn of the Planet of the Apes,” we got some good stuff. There was a pair of very intriguing Jesse Eisenberg movies in the forms of “The Double” and “Night Moves,” and the fella behind “The Guard” was back with the exquisite movie “Calvary.”Continue Reading …