A weekly talk show hosted by film critic Christopher Crespo
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In this BONUS episode, Chris Crespo and Drewster Cogburn talk about five of their favorite songs/artists from the 1990’s rock scene.
Enjoy the show!Continue Reading …
Are you ready for the conclusion to the exciting Liam Neeson – Jaume Collet-Serra trilogy of action movies? Bet you didn’t even realize such a thing EXISTED, yet here we are, three deep into the sneakiest artistic collaboration since the paranoia duology of 2013 by Jake Gyllenhaal and Denis Villeneuve (okay, that one’s for the film geeks). First Liam and Jaume tackled a case of mistaken identity, then they took on airplane murder, and now finally they bring it home with the story of a hitman turned drunkard trying to keep his adult son from being murdered by the mob. You know…THAT old tale.
In “Run All Night,” Jimmy (Liam Neeson) spends most of his time drunk, a washed up hitman for the mob who can’t battle his demons anymore, he’s thrown in the towel, he is a pathetic wreck of a man who can only quietly take it when everyone from his boss’s son to the local police take the time out of their busy days to verbally run him down. The only friend he has in the world is his buddy Sean (Ed Harris) and the problem with this friendship is that Sean is the guy in charge of this particular mob and he is the reason Jimmy went out and did so much killing, so really Sean is the guy who helped put Jimmy in this bad spot. He must feel guilty about it, which is why when Jimmy agrees to play Santa at the family Christmas party but then got too drunk and acted a fool in front of everyone, instead of getting mad at him Sean had Jimmy cleaned up and gave him a bed and a sandwich and was super nice to him. They even bothered to reminisce about the time they were teenagers and had sex with their girlfriends while in neighboring beds, a little bit of the old nostalgia to make everything feel a little better.Continue Reading …
What do you get when you cross a road movie with a family drama with a comedy about social media with some food porn? You get a wonderful amalgamation of a movie called “Chef,” written and directed by Jon Favreau, and also starring him as well, along with a bunch of other great actors and actresses, some awesome musical choices, and a rather well told little story about a guy trying to get his mojo back, while also reconnecting with his son, while also learning what this whole Twitter thing is all about.
From my original review of “Chef:”
So this movie is not only a foodie movie, with lots of close ups of food and the cooking process, and not only about a man reigniting his passion for what he loves, but it is also a family comedy-drama, a story about a father and son reconnecting after the divorce led to some problems. And then it doesn’t end there, because halfway through this film “Chef” becomes a road movie, as we travel with the characters from Miami to New Orleans to Austin and finally back to Los Angeles, and the characteristics of each town get showcased and used quite well, especially the music and food of each region, and it is really fun to watch this journey and be a part of it. And then there is also the whole social media thing, which was integrated quite well into this movie, because they show how some folks who don’t exactly get what these services do can easily get themselves in some trouble in this new modern age of communication. Also they smartly show that the 10-year old kid knows WAY more about social media and how to use it then the older guys who may be a little behind the times. Smart stuff.
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In episode 114, Chris Crespo and Drewster Cogburn review What We Do In The Shadows and Run All Night.
Billy D. tells us to watch Dust Devil, and we have a listener submitted game for Drewster Cogburn vs The World.
Also discussed:
Popeye is dead.
Suicide Squad intrigues Chris.
Fantastic Four 2 gets out of Star Wars’ way.
Disney bans smoking.
The Mike Tyson biopic. p
Plus much more!Continue Reading …
Want to see an old man get battered by waves and storms and attempt to survive a very long stranding at sea? Does it make a difference if that old man is Robert Redford? Cause it should. And “All Is Lost” is 106 minutes of just that, Robert Redford, by himself on a broken boat, trying to survive.
And it is pretty damn great. It is a really compelling movie, thanks in part because of how Redford is just so watchable, but also because of how the story unfolds, in the way the stakes keep raising and the danger gets closer and closer, all the way with only one character and one who doesn’t even bother talking to an inanimate object at any point, he just belts out a couple of f-bombs at one point of extreme frustration and hopelessness and other than that, steely eyed, stoic Redford.Continue Reading …
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In episode 113, Chris Crespo and Drewster Cogburn review Chappie.
There’s a new Billy D’s Death at the Movies, and All is Lost is the Netflix Instant Pick of the Week.
Also discussed in this episode:
Netflix upsetting the apple cart.
X-Men by Wes Anderson.
Listener reviews of John Wick, Whiplash and Lucy.
The Expendables The TV Show. a
And so much more!Continue Reading …
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In this SPOILER FILLED bonus episode, Chris Crespo and Drewster Cogburn talk about Chappie in depth.
There are many SPOILERS in this SPOILER episode so beware of all the SPOILERS for Chappie.
Enjoy the show.Continue Reading …
“Chappie” is an update on the “Pinocchio as a robot” story, the sentient cyborg wants to be real sort of thing, a kind of South African “Short Circuit” blended with a little “Robocop.” With a mix of comedy, science fiction, action and a bit of social satire, “Chappie” is a good movie blending some cool ideas and featuring incredible special effects, and would have been great if the story itself was just a little more developed.
It is the very near future and things, as always in these kinds of movie, have gone to complete shit. In Johannesburg, South Africa, the police have contracted a weapons company to provide hundreds of drone cops, robots that accompany the police officers and are helping to drop crime rates everywhere. Engineer Deon Wilson (Dev Patel) is the creator of these robots called Scouts, yet he himself just is a worker drone within the massive weapons company anyway. On the side he’s managed to create an artifical intelligence program that he could install into a robot to test out, but when his boss (Sigourney Weaver) refuses to give him a discarded robot to work with, he ends up stealing it so he could do the A.I. testing on the down low. But wouldn’t you know it, Deon gets kidnapped himself by a trio of gangsters who then end up stealing his robot with the brand new A.I. program, and they name is Chappie (Sharlto Copley) and teach it to gangsta lean, curse and throw ninja stars, all so they can use it in a heist to make a bunch of money.Continue Reading …
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In this Crespodiso Film School BONUS Episode, Chris Crespo and Drewster Cogburn go through the films of Quentin Tarantino.Continue Reading …
Want to experience a long and slow yet brutal kick in the ass? Have any desire to see a piece of art that is so sure-handed in its vision and ambition as to make the final result unassailable in its veracity? You want to remember why some people make movies in the first place? Then time for you to check out this new classic of Russian cinema, “Leviathan,” a film that is simultaneously enormous and intimate, and which also acts as a scathing indictment of life in Russia as well as personal relationships that can easily fall apart.
Kolya is a mechanic living in a house right off the river in a small rural Russian town with his rebellious teenage son Roma and his new wife Lilya, and everything would be okay if it wasn’t for the town’s mayor Vadim and the actions he has taken to seize the land on which Kolya’s house sits. When the movie starts, Kolya has already been fighting the local government for awhile, trying to get them first to stop the land seizure and then finally just trying to get fair compensation for the land instead of the paltry sum the government has decided is reasonable. The movie actually starts with Kolya picking up his old Army buddy Dmitri, who is now a hot shot lawyer in Moscow, and Kolya gets to work in trying to get Vadim to either a) leave the house to Kolya or b) get the right amount of money for Kolya and his family.Continue Reading …