Cinema Crespodiso

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Review: ‘The Hunger Games: Mockingjay – Part 1’

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Well the latest installment of the newest mega franchise has been released and it has cleaned house already at the ole’ box office, making certain people instantly salivate at the prospects of the overall business for the final film to be released in exactly one year. “The Hunger Games: Mockingjay – Part 1” is a big, expensive set up for the last movie, the story telling lamb sacrificed at the altar of monster profits, a truly compelling yarn discarded in favor of two hours of preamble.

For those folks not keeping track, there’s this chick named Katniss (Jennifer Lawrence), and she lives in a dystopian future of poverty and immense wealth disparity, and she is also a past winner of The Hunger Games, an annual event in which children are pitted against each other in a combat to the death, broadcast to the masses and sold as entertainment. Through her involvement in this, she got mixed up in some rebellion, as the impoverished masses are close to organizing into an uprising against The Capitol, and she somehow becomes the face of the rebellion. Got it? Okay. Because that’s all this movie is about. The rebels, who are literally underground, create propaganda videos featuring Katniss to broadcast to all the different poor districts of their world in an effort to get everyone to rebel at once.Continue Reading …

#98 – Miike Kiddie Pool

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In episode 98, Chris Crespo and Drewster Cogburn review The Hunger Games: Mockingjay Part 1 and Chris reviews The Theory of Everything.

Also discussed in this episode:

RIP Mike Nichols.

City of God.

Tyler Perry’s Madea Christmas FINALLY comes out on DVD.

Movie sequels we’d like to see.

Europa Report.

Hot Butterbeer at Universal Orlando.

Better Call Saul premiere date.

The Stand to be made into 4 movies.

Paul Greengrass to direct 1984.

Channing Tatum to get in the director’s chair.Continue Reading …

Review: ‘The Theory of Everything’

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Based on the SECOND memoir published by Jane Wilde Hawking, “The Theory of Everything” is not so much a biopic about the world’s most well known physicist as it is an examination of a marriage enduring great obstacles and challenges, and the toll these challenges take on the people involved.

“The Theory of Everything” starts with Stephen Hawking’s (Eddie Redmayne) first year studying for his doctorate at Cambridge University, where he meets a fetching young art student named Jane (Felicity Jones), and they hit it off and embark on the beginning of a nice little relationship. At the same time Stephen is trying to figure out what his ultimate thesis at school will be (spoiler alert: it’s time), and he is growing into the most promising student at Cambridge in years. But the problem is that he is slowly deteriorating, at first for reasons he does not know and then eventually diagnosed as ALS (a.k.a. Lou Gehrig’s disease). His muscles stop responding as they should, and he soon develops difficulty with just about everything we take for granted, like walking, eating and talking.

Given two years to live, he sinks into a depression and tries to push Jane away, but she refuses to go anywhere and instead insists on helping him in any way possible because of love damn it. So they get married and have kids and he comes out of his funk and continues to work on his doctorate, and then goes on to work on other theories and ideas while he becomes confined to a wheelchair and his wife helps him with everything. And of course this becomes a strain on the relationship, as Jane set her own life and ambitions aside so she could help Stephen live the rest of his life.Continue Reading …

The Crespodisco #14 – Favorite Genres

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In this BONUS episode, Chris Crespo and Drewster Cogburn enter the Crespodisco and get down with songs representing their favorite genres.

And yes this is Crespodisco 14, even though Chris thought it was #13. So get ready for some dope rock, hip-hop, JAAZZZZZZ, reggae, metal and more! PLUS a super special BONUS list at the end of the show.

Get down with your bad selves all ready.Continue Reading …

Review: ‘Dumb and Dumber To’

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Oof.

This movie is just not good. It is the kind of comedy sequel that makes one question whether or not the original is actually as funny as remembered. The same writers and director, the same actors, even the same tone and style of humor. So why was it so funny twenty years ago and now it is so damned unfunny? What could have possibly been their undoing?

“Dumb and Dumber To” picks up twenty years after the original, with Lloyd (Jim Carrey) and Harry (Jeff Daniels) looking the same save for the wrinkles. It is possible that these characters are somehow dumber now as they have aged, but that’s it. They are the same. And they go on another ridiculous road trip based on another misunderstanding and they encounter another set of killers and Lloyd’s lust for love is again the driving force for the shenanigans. So much is the same. So why does it stink?

This movie is a bunch of dumb humor without a hint of cleverness to any of it. At least “Dumb and Dumber” felt like a “smart” dumb movie, whereas this one just goes for the low hanging fruit. For a movie being so many years in the making, it sure feels quite half baked and not so well thought out. The initial set up is a decent one, too: Harry and Lloyd set out to find Harry’s kid that he just found out he has, but now this kid is all grown up. Obviously the fruit of their respective loins is bound to be a dumb dumb (sorry to break it to you, Forrest Gump), and the character they came up with is okay, but she’s not all that memorable or interesting in the long run. It’s not like I want to see her in a “Dumb and Dumber 3” or anything. Nothing against Rachel Melvin who played this character, she was great, it was just what they asked her to do, which wasn’t much.Continue Reading …

Netflix pick for 11/17/14 – ‘Killing Them Softly

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“Killing Them Softly” is a great crime drama about a mob-run poker game that gets knocked over and how the mob bosses have a guy they use as their own police and also apparently prefer to communicate solely through their attorney. As this results in scenes featuring Brad Pitt conversing with Richard Jenkins, this is a win for us all.

From my original review of “Killing Them Softly:”

What if the movie going public was sold this movie honestly? Would people have turned out in any more numbers if they knew this was an angsty, arty, condemnation of the kind of business tactics that got us all in this mess in the first place, made in the grand tradition of the hard ass manly directors of yore like Sam Peckinpah and John Milius andWalter Hill? Would that have mattered at all? Maybe there would have been even fewer people. In any case, it’s all said and then, and the movie that condemns improper business tactics and which was sold with misleading commercials made for some bad box office business. But it’ll survive on, like so many well-made movies rejected in their time.

Continue Reading …

Review: ‘Whiplash’

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How far would you go to be the best at something? That question is at the center of “Whiplash,” a drama about a music school student and the adversarial relationship he develops with the school’s top instructor whose techniques are more akin to a military boot camp than they are band camp. And for being a movie about the student-teacher relationship in the world of jazz drumming, “Whiplash” is surprisingly tense and in your face, filled with danger and menace and tragedy, done in double time.

Andrew (Miles Teller) is a freshman at music conservatory in New York City, a place considered to be the top music school in the country, and roaming the halls of this school is a bald, intense, wound up knot of a man named Fletcher (J.K. Simmons), who apparently has a reputation demands people pay him the utmost respect. It probably has something to do with how he picks the best students for his ensemble and trains them for competitions that could lead to promising careers so people are desperate to get his approval because his opinion matters so much. When Andrew finds himself somehow in the same room with this guy and with the chance to earn a spot in his band, he does everything he can to make that happen.

And that’s not enough because almost immediately Fletcher is on Andrew’s ass, pushing him harder than Andrew’s ever been pushed before, breaking him down emotionally from the very beginning so that Andrew could possibly reach deep down inside and somehow work even harder to be a better drummer. So rest assured, this movie features drums covered literally in blood and sweat, and we can easily assume that tears hit the drum kit at some point as well, so there can be no doubt whatsoever that this Andrew guy is truly giving it his all. But is it enough? And what could happen if it isn’t?Continue Reading …

Review: ‘Killing Them Softly’

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Originally published on Examiner.com on December 12, 2012.

Is “Killing Them Softly,” an arty mob drama about the death of the mythical American Dream, too cynical for today’s audiences? And is that even possible? What could be the reason for the backlash against this expertly crafted and confidently presented stripping down of the usually flashy and glitzy mob gangster genre? Are people uncomfortable with the message, or how the film conveyed the message? Or did “Killing Them Softly” lack a strong message in the first place?

After a mob protected poker game gets knocked over by two dumb thugs working for a third, slightly smarter moron, the whole local mafia economy goes into the toilet, because no one wants to go to a poker game to spend money if all that money is just gonna get stolen anyway. So the mob’s beleaguered lawyer (Richard Jenkins, Burn After Reading) calls in the mob’s version of internal affairs, a greasy haired, too cool for school enforcer named Jackie Cogan (Brad Pitt, The Assassination of Jesse James by the Coward Robert Ford), and Jackie grabs the mob underworld by the ankles and holds it upside down and shakes it until he gets the answers he’s looking for.Continue Reading …

#97 – Hollywood Sham Awards

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In episode 97, Chris Crespo and Drewster Cogburn review “Dumb and Dumber, To” and “Whiplash” and Chris reviews “Rosewater.”

There’s a new Netflix Pick of the Week, they recap the box office weekend and they preview the new movies coming out on DVD and in theaters this weekend.

Discussed in this episode: the Hollywood Film Awards, Universal Monster movies, three more “Fast and Furious” movies, Chan Wook Park’s next English language movie announced, “Batman Versus Superman Colon Dawn of Just Ice” update, Tarantino to retire, the early buzz for “Kingsman: The Secret Service.”

Enjoy!

Continue Reading …

Review: ‘Birdman: or (The Unexpected Virtue of Ignorance)’

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“Birdman” is about fame and infamy, artistic expression both successful and failed, dealing with a reputation despite whether or not it is earned, and mostly it is about that point in just about everyone’s life in which they question what they are doing, whether they are doing it right, and whether or not they are failing at life in some way. For most people this is known as the “mid-life crisis,” though it can happen to anyone at any point, and it can happen multiple times. It happens to more people than not, and from the outside looking in it can be quite entertaining to watch, even if a little sad and even cringe-inducing. The misery of others is comedy to us, if only because we can relate. We just call it “dark comedy,” and then proceed with the laughs. A man in the throes of an emotional breakdown on the verge of losing everything is not funny, yet it actually is if looked at from the right angle. This is “Birdman.”

Riggan Thomson (Michael Keaton) is adapting a Raymond Carver short story into a stage play, to be produced on Broadway no less, and the only problem for him is that very few people are taking him seriously due to the fact that he made his bread and butter twenty years prior making a trilogy of superhero movies centered around a character named Birdman. He still gets stopped on occasion by Birdman fans asking for him an autograph. When a young kid asks his mom who Riggan is supposed to be, his mom replies, “he used to be Birdman.” That’s a burn for ole Riggan. He didn’t used to be anything. He is what he is, which is a person, Riggan Thomson, an artist, a man, a human being. He wants recognition not for what he once portrayed but for what he can due now in the present, and for some reason he saw this play as his best option. So he gets his best friend and lawyer Jake (Zach Galifianakis) to help him produce this big play and when the movie starts he is just getting ready for previews, which are the dress rehearsal performances in front of paying crowds leading up to opening night.Continue Reading …

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