Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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Review: ‘Godzilla’

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After a worldwide decade-long hiatus, the most bad ass 60-year old on the planet has reemerged to assert his dominance as the King of All Monsters, here to wipe out bad memories of horrible 1990’s CG-lizards, Matthew Broderick, and decades of men in cheap rubber suits stumbling through cities made of cardboard. Building on the terror of the 1954 original, “Godzilla” is a movie devoid of camp and silliness, an A-movie treatment to a B-movie concept, and it all works great.

The movie starts with a fun opening credit sequence showing old-timey footage from the 1950’s of some A-bomb tests that were actually attempts to kill Godzilla back in the day. And after this sequence, we don’t see Godzilla again until about halfway through the movie, as we get a nice, slow build to the reveal of the giant monster in his full glory. But don’t worry, that doesn’t mean nothing happens for the first half of the movie; on the contrary, we get to see the awe-inspiring and fear-inducing destruction caused by a pair of giant monsters that the military dubs “MUTOs” (standing for Massive Unknown Terrestrial Organism), and this is pretty smart by the the filmmakers, because instead of just breaking out some old monsters, they came up with their own designs for new ones, and found a way to have their characters come up with a name for these monsters that simultaneously sounds like a name of a monster from the old Toho movies but also sounds like a very plausible acronym that could actually be used by the military in a situation like this.Continue Reading …

CCN – May 2014

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In this month’s CCN, Chris Crespo reviews the numerous books he read in 2014 so far, and he discusses the outrages with Drewster Cogburns.

Continue Reading …

Review: ‘Neighbors’

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“Neighbors” is a comedy about a young family being subjugated to the horror that is living next door to a college frat house, and how the young family struggles to stay young, while the frat bros struggle with being fratty and what they need to do next with their lives. Plenty of dick jokes abound throughout, but it is tempered quite well with character arcs and emotional story beats, and it all blends together for a fun, funny and still somewhat touching movie.

The movie starts with married couple Mac and Kelly (Seth Rogen and Rose Byrne) trying to have “spontaneous” sex in their new home. What makes this such a feat for the two of them is the fact that it is happening while they have a precious little baby girl, and not only is this happening shortly after the birth (since the kid can’t even stumble around yet on its own) but with the kid in the room, watching them. How can people have fun, spontaneous sex while also debating whether or not their infant child can understand that they are having sex or if she only sees shapes?

And while this scene is obviously meant to be a funny joke, it also importantly sets up a main theme of the movie, which is how this couple wants to stay young and vibrant like they were when they met in college, as opposed to the old, boring fogies they are threatening to become. Later on we see them climb into bed to go to sleep and they have to put in sleep apnea mouth guards and shit, and they try to kiss each other goodnight and it is just ridiculous. They don’t want to admit it, but they’re all grown up, their relationship has arrived at a very comfortable place, and they can’t hang with the kids anymore.Continue Reading …

Netflix pick for 5/12/14 – ‘In Bruges’

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Written and directed by British playwright and screenwriter Martin McDonagh, “In Bruges” is a dark comedy about a pair of hitmen forced to take a little sabbatical in a tiny historical tourist trap of a town in Belgium, while their homicidal boss tries to figure out what to do with them. Many swear words and story twists abound. And it is all delightful.

In “In Bruges,” Colin Farrell plays Ray, a depressed hitman for the mob, super sad because of how a job had gone horribly wrong, and being sent to Bruges by his boss Harry (Ralph Fiennes) ends up being a sort of purgatory for him, as he has no idea if his muck up will cause him to be damned. Fortunately for Ray, Harry sent along with another hitman named Ken (Brendan Gleeson), who makes things a little easier for Ray as he tries to sort through his problems. What happens in the rest of the story is what you need to discover, and trust me on this one, it is worth it.Continue Reading …

#70 – A Boy’s Best Friend

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In episode 70, Chris Crespo and Drewster Cogburn are joined by Chico from Answer Pants (live every Monday night on RampantRadio.com), and Chris and Drew review Neighbors, there is a new Netflix Instant Pick of the Week, movie news, questions from show listeners and so much more get discussed, so enjoy the show!

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Review: ‘The Amazing Spider-Man 2’

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It is ridiculous that it has taken so long for me to put together this write up for “The Amazing Spider-Man 2,” but the truth is that my feelings for this film are a little more complicated than they should be. We’re talking about a movie about a man with spider-like super powers fighting crime in New York City while wearing spandex, after all. Why should this be difficult? It’s a pass-fail kind of thing, is it not? Was I not entertained? Isn’t that enough?

And for some good chunks of time, “The Amazing Spider-Man 2” is indeed quite entertaining, with the occasional action scenes that actually reach the heights of thrilling. Throw in the mix some solid acting from likable, reliable actors, as well as some downright gorgeous cinematography and a handful of most excellent compositions (obviously going for the “still panel or comic book cover come to life” look and just NAILING it) and you have the ingredients for what should be a good, nay, GREAT movie. And yet, despite all these things, there is something off about this movie, some things were done in a way that just robs it of emotional weight, and without that, we end up with something great looking, yes, but also a little rotten on the inside. Like a supermodel.

(I apologize to any supermodels reading this [who am I kidding, what fucking supermodel is trolling the interwebs for reviews of Spider-Man movies?)Continue Reading …

Bonus Episode – Summer Movie Guide 2014

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In this bonus episode, Chris Crespo and Drewster Cogburn go over the whole summer movie schedule from May through August and they discuss all the big releases of each and every weekend.

PLUS there’s a bonus round of Drewster Cogburn vs The World! Dig it!

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Netflix pick for 5/5/2014 – ‘Swimming With Sharks’

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“Swimming With Sharks” was part of that indie film revival of the early to mid 90s, movies made on the cheap, with one or two slumming movie stars, made by people are writer/directors, involving lots of fast dialogue and a splash of violence meant to shock.

From 1994, this is the story of young aspiring Hollywood writer Guy (Frank Whaley) who gets a career opportunity of a lifetime by getting an assistant job for movie mogul Buddy (Kevin Spacey). The problem for Guy is that Buddy is sadistic asshole keen on heaping as much abuse on his assistants as humanely and legally possible, so Guy gets beat down for awhile before HE CAN’T TAKES IT NO MO’! Know what I mean?

It is a pretty good story, well acted, and with a good ending that was definitely meant to be a little twisty like “oh shit surprise!” but given the satirical tone of much of the film (truly much of Buddy’s action border on criminal), the ending falls in line pretty well with everything else and still packs a punch. A little indie punch.Continue Reading …

#69 – Spread The Love

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In episode 69, Chris Crespo and Drewster Cogburn review Jodorowsky’s Dune, The Amazing Spider-Man 2, there is a new Netflix Instant Pick of the Week, the cast of Star Wars Episode VII is announced, plus other movie news, also Chris and Drew answer sexy questions from the listeners!

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Review: ‘Joe’

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“Joe” is a very interesting character-based Southern drama from David Gordon Green; specifically the David Gordon Green that made movies like “All The Real Girls” and “Undertow” and “Snow Angels” and “Prince Avalanche” as opposed to the David Gordon Green known for the more mainstream “Pineapple Express” and “Your Highness.” We got a moody, atmospheric, heady film, concerned much more with character development and emotional arcs as opposed to mugging for guffaws and weed jokes and dick jokes and such. So actually I guess it depends on which mode of DGG you prefer, though there’s nothing wrong with liking both. I like both.

But “Joe” is certainly the former, a story about an ex-con (Nic Cage) who runs a possibly illegal crew of tree-killers, paid to pave the way for some developers, and the 15-year old drifter kid he takes under his wing and who might actually be able to help give Joe a second chance on life.

This kid, by the way, named Gary, is played by a dude named Tye Sheridan, and he’s putting together a helluva filmography so far, with this being his third movie after “The Tree of Life” and “Mud.” Now there’s a connection there between the three movies, with David Gordon Green being a friend and collaborator of “Mud” director Jeff Nichols on Nichols’ first movie “Shotgun Stories,” and both Nichols and Green being obvious admirers of the work of “The Tree of Life” director Terrence Malick and also with Green and Malick becoming friends and collaborators themselves with “Undertow.” So it all comes back around, these great American filmmakers of different generations.Continue Reading …

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