“End of Watch” is the opposite of most movies featuring the Los Angeles Police Department at work, as it portrays LAPD police officers not as crooks or corrupt or racist or terrible, but instead as normal people just trying to do their job, a job which happens to be very dangerous and rather underappreciated.Continue Reading …
#30 – Extra Large & Extra Sexy
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In episode 30, Chris and Drew review a plethora of movies including The Wolverine, 2 Guns, Only God Forgives, Grave Encounters and Europa Report. They also go over the Netflix Instant Pick of the Week (End of Watch), Chris has a double round of Drewster Cogburn vs The World for Drew, they talk about the new movies coming out on DVD and in theaters and more!
Also discussed in this episode:
Drewster is back from his trip to NYC.
Ellen hosting the next Oscars.
David Yates is directing the Scarface remake.
DC/WB announce a Flash TV show for the CW.Continue Reading …
Review: ‘Fruitvale Station’
Starting out as a “slice of life” type of movie and ending as a brutal tearjerker (a two-hanky movie, they used to call ’em), “Fruitvale Station” is a small movie about a big issue, and the timing of this particular film couldn’t be any more perfect. Just as a gigantic mirror has been held up to this great nation so we can see just how racist we still are as a whole, this movie comes along and openly questions the perceived value of the life of a black youth in today’s America.
You have two choice right now: you can do a Google search on “Oscar Grant” and read about the tragic event that this movie is based on, or you can just go into the movie and let the shocking events fold right in front of you. Now, while I am sure it would be interesting to watch this movie play out without really knowing what the story is really about, I think it actually does the movie a great service to know ahead of time how the story is going to end. And since “Fruitvale Station” starts with real-life cell phone footage from a very fateful and horrendous night on a train station platform in Oakland, California in the early morning of New Year’s Day in 2009, it is apparent that writer/director Ryan Coogler knew this and wanted to make sure the audience indeed knows what this movie is going to end up.Continue Reading …
Netflix pick for 7/29/13 – ‘Batman: the Movie’
“Some days you just can’t get rid of a bomb!” At one point in the 1966 “Batman: the Movie,” this is a line exclaimed by Batman (Adam West) as he tries to dispose of a cartoon-looking bomb in a public place, and if you can’t get with this kind of campy, over the top, tongue-in-cheek style of comedy in the midst of your 1960’s comic book movie, then stay far away from this week’s Netflix Pick of the Week. But if you can get down with stuff like Bat-shark repellent and dehydrated and then rehydrated henchmen, then you will enjoy the hell out of this ridiculous movie.
The first Batman movie was made based on the popularity of the television series, and followed many of the hallmarks of this tv show, which includes the big “KA-POW” and “WHAPP” title cards during the fight scenes and the bold colors and just general ridiculousness. And fans of the Caped Crusader should really dig the awesome convertible Batmobile, as well as the awesome Batcopter, Batboat and the Batcycle…I mean, who wouldn’t want to ride in that sweet side car?Continue Reading …
#29 – Theater of the Absurd
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In episode 29, Chris is joined by special guest co-host DJ Ed Shuffles a.k.a. Ed Luvables (on Twitter at @edluvables and @djshuffles), and they unwrapped this week’s Crespodiso, in which they BOTH have Netflix Instant Picks of the Week, and Chris reviews Fruitvale Station and The Wolverine.
Also discussed in this episode:
Chris calls out the Orlando Film Commission and demands they financially support more local filmmakers.
Adam Sandler movies = money in the bank.
What’s the difference between PG-13 and R-rated movies?
G.I. Joe Retaliation comes out on DVD.Continue Reading …
Review: ‘The Wolverine’
“The Wolverine” is the sixth time Hugh Jackman has played the adamantium-laced, clawed, mutton chopped character of Logan, a.k.a. the Wolverine, and the overall quality of the movie aside, this may be my favorite portrayal of this character to date. Focusing on his gift slash curse of healing and pretty much being immortal and his deep sense of loss and loneliness that has built up over the years, this movie is free to get into Logan’s damaged psyche and really dig in the character and what makes him tick, and in the long run it pays off.
“The Wolverine” is a sequel to (the god awful) “X-Men: The Last Stand,” in that Wolverine’s love interest Jean Grey (Famke Janssen) is dead and the rest of the X-Men are pretty much disbanded, leaving Logan all by himself (they also seem to pretty much ignore “X-Men Origins: Wolverine,” which is somehow even worse than “X-Men: The Last Stand“). He is literally wandering from town to town, living in the wilderness, looking like a crazy person, and it’s sad to think about such a powerful person just hiding out and having nightmares every night about horrible things that happened in his life. They hit this pretty hard, but obviously it must be horrible to live forever because you get to watch people you care about die all around you, and even if you meet new people and start to care about them, they are going to die eventually as well, and you’ll outlive them all, and that’s a bummer. How many times can you lose people before you stop trying to connect to them anymore?Continue Reading …
Review: ‘Upstream Color’
This is going to be a rough ride, peoples. After several viewings of “Upstream Color,” I feel I have a grasp on the ins and outs of the story itself, but I’ll be honest and tell you that I am struggling with what this thing is actually about, know what I mean? So in the spirit of this film, which is a just a little experimental, I am going to try something new with this particular entry; we’re going to figure this thing out together.
First off, I’m going to need you to see “Upstream Color” for this to work. We need to be on the same wavelength. If you need a quick “review” before checking it out, I offer you this:
“Upstream Color” will surprise you. It will confuse you, and if you are paying attention and also allow it to wash over you, it will also reward you. To simply summarize the story and plot here before you see it would be a disservice, so instead I will say that this movie is about a woman meeting a man and together they help each other understand the world they live in and the forces effecting them, all subconsciously of course, and it all boils down to basic, simple human interaction, wordless even, thoughts conveyed through expressions, emotions reverberated and amplified with a look, all the things we know in our own lives, reflected in this movie that quite simply defies basic classification. Is it a romance? Science fiction? Horror? A mystery? An art film? A tone poem? A thriller?Continue Reading …
Review: ‘R.I.P.D.’
Well that was a big old waste of everyone’s time and money. I would add “effort” to the list of items of things wasted in the making and viewing of this movie, but sadly that seems to be the one thing that wasn’t even deployed in the first place in the making of “R.I.P.D.”
Hmmm, maybe that’s a little harsh. Let’s start with some positives.
“R.I.P.D.” is a movie about a police department for the dead. When Boston PD veteran and kind of dirty cop Nick (Ryan Reynolds, Safe House, The Change Up) gets killed in the line of duty, he’s given a choice – he can face judgment and the likely scenario of eternal damnation, or he can join the Rest In Peace Department, which is filled with dead lawmen whose job it is to make sure that the dead stay dead, as some of these bad souls escape judgment and manage to continue living on Earth with all us alive people.Continue Reading …
Netflix pick for 7/22/13 – ‘Shotgun Stories’
From 2007, “Shotgun Stories” exists as proof of several things, namely that American cinematic film making is alive and well, and that original and interesting stories can still be told without a budget over $200 million and the special effects and baggage that come with such productions, and of course what we all already know by now, that Michael Shannon is one of the most compelling actors working today.
“Shotgun Stories” is a low budget little gem about a some half-brothers and their blood feud due to their disparate feelings over their newly deceased mutual father. Things get said, insults get hurled, violence becomes an option, and the rest is a mess of a bad ole time for everyone involved. Violence can beget a pretty vicious cycle, after all, but can one see the cycle coming and do anything to stop it? Should it be stopped? Or should we all yield shotguns in case someone starts disagreeing with us?Continue Reading …
#28 – Time is an Ocean
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In episode 28, Chris and Drew review RIPD and RED 2, they talk about the new Netflix Instant Pick of the Week, they do the box office recap, and they talk about Trance coming out on DVD and The Wolverine hitting theaters next weekend. And the Crespodome is jam packed with movie news and reviews, and also features a brand new Crespodome intro!
Things discussed in this episode include:
Chris and Drew appeared in episode 17 of “SBKLIVE with Kevin, Matt and Angel” the podcast.
Chris appeared in episode 81 of “Corrupting the Kids” the podcast.
The introduction of the “Crespodiso Film School.” Chris and Drew watched All The President’s Men, The Sting and Dracula.
Chris and Drew both review the documentary Indie Game: The Movie.
Terrence Malick is being sued for a movie he didn’t make.Continue Reading …
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