Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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Netflix pick for 2/12/13 – ‘The Hospital’

TheHospital_Poster

Conceived and shepherded by much acclaimed writer Paddy Chayefsky, “The Hospital” is a 1971 satirical black comedy about a lost and suicidal doctor, played by George C. Scott, who laments the deplorable conditions of his hospital and who finds himself butting up against more and more health insurance related garbage, when all of a sudden people start turning up dead all around the hospital, including nurses and doctors, which of course complicates matters further. Naturally this is where they inserted a dame into the equation, here the daughter of a patient, played by Diana Rigg, and the pot is now a-boilin’.

Since it’s Chayefsky, this movie is loaded with great rants and speeches and monologues, and of course Mr. Scott brought all the sound and fury necessary for the role, and Chayefsky won an Academy Award for best screenplay for this movie, so there’s that.Continue Reading …

#6 – Johnny the Hater

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Episode six of “Cinema Crespodiso” features special guest Johnny the Hater joining Chris and Drew as they discuss the happenings in the movie world! In this episode: a new Netflix Instant Pick of the Week, reviews of A Good Day to Die Hard and Universal Soldier: Day of Reckoning, movies that make them cry, their favorite bad movies, and so much, so enjoy the show cause it gets wild! And find out what Johnny the Hater actually likes! All of this in this new episode of Cinema Crespodiso!

Review: ‘Identity Thief’

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“Identity Thief” is the new comedy from Seth Gordon, who made the great documentary “King of Kong: A Fistful of Quarters” as well as the rather funny comedy “Horrible Bosses,” but I do fear that this current movie we have here about a woman who steals a man’s personal information in order to run up ridiculous credit charges and bills only to have that man track her down as a form of a generic everyman justice is much closer to Mr. Gordon’s “Four Christmases,” a rather lackluster and unfunny Christmas comedy that everyone has all but forgotten by this point. Except Vince Vaughn. Surely it keeps him up at night, haunting him.Continue Reading …

# 5 – Cinema Cray-spodiso

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Episode Five of Cinema Crespodiso features reviews of Identity Thief, Side Effects and End of Watch, plus a book review, questions from listeners, a break in the Crespodisco, and whole new Netflix Instant Pick of the Week, picked on the spot thanks to the Crespo Randomizer. Host Chris Crespo navigates through the Crespodome, in which Chris and Drew discuss their favorite romantic movies for Valentine’s Day, movies in which the hero dies at the end, and whether or not Disney is over saturating the Star Wars movie market. It’s chock full of good times, so get down with your bad self and enjoy!

Book review: ‘Superman vs. Hollywood’

"Superman vs. Hollywood" by Jake Rossen

“Superman vs. Hollywood” by Jake Rossen

“Superman vs. Hollywood: How Fiendish Producers, Devious Directors, and Warring Writers Grounded an American Icon” is as compelling as that full title sounds, as Superman is a property that has been around since 1938, and make no mistake, this book goes to great lengths to show that Superman has often been handled as just that very thing – property.

Starting with his modest roots in the comic books of the late 1930s, this is a thorough accounting of all the projects that this character inspired, from radio to television to film and back again, and more interesting than the actual projects made are all the different projects that almost got made but never happened; much money was spent on Tim Burton’s 1990s take on Superman, with Nic Cage signed on to wear the tights and cape, but that plug got pulled after much craziness, much like the Kevin Smith commissioned Superman script and the J.J. Abrams’ script that got killed by a scathing review on the geek-centric website Ain’t It Cool News and scared off executives from committing to his weird version of this very well known story.

There’s even the Lois Lane television series that got a little bit of traction before going nowhere, and in introducing the roots of the successful television series “Smallville,” there is a lot of time spent on a never produced pilot for a proposed show called “Bruce Wayne,” which would have been a series about the character of Bruce Wayne in the years leading up to his becoming Batman. As the pilot script called for a cameo from a young Clark Kent, someone took that idea and turned it into “Smallville.” Cray.Continue Reading …

Review: ‘Side Effects’

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Steven Soderbergh’s final theatrical release before he takes an indefinite leave of absence from the director’s chair, “Side Effects” is a pretty fine way to go out, a showcase of solid, sure handed direction and across the board great acting, all in the service of telling a very good story.

Set in the pharmacological world and trafficking where the roads of medicine and big profits meet, this movie starts out as a small character drama about clinical depression before gradually turning into something of a throwback to the 1970s paranoia thrillers, in which the well meaning protagonist gets caught up in a dirty world and eventually finds out he was more of a pawn then he could have ever imagined.Continue Reading …

Top 5 most anticipated movies of 2013

The first month of 2013 has come and gone, so now is as good a time as any to look at the rest of the year and see what kind of stuff is scheduled to come out and what is worth anticipating and actually waiting for. Sure there are going to be plenty of nerd-o’s out there who are dying to see “The Hobbit: The Desolation of Smaug,” and everyone wants to see “Iron Man 3,” no matter how bad “Iron Man 2” was all those years ago. Anyone who knows me knows that I eagerly await Zack Snyder’s “Man of Steel,” but that’s no surprise, plenty of people are anxious to see that thing.Continue Reading …

Review: ‘Bullet to the Head’

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Adapted from a French graphic novel, “Bullet to the Head” is an action movie that works as something of a throwback to the action films of the late 70s and 80s, though it has its fair share of modern touches to bring it in line with modern action movies, for both better and worse.

The story is some nonsensical mess about an aging hit man named Jimmy “Bobo” Bonomo (Sylvester Stallone, The Expendables 2, Rocky Balboa) who does a hit as contracted and then immediately gets set up by his employer, which results in the death of his hit man partner for whom Jimmy Bobo seemed to have some sort of affinity. So he sets out to find out the who’s and the why’s of the whole set up and to kill whomever is responsible. This includes the gigantic rival hit man Keegan (Jason Mamoa, Conan The Barbarian), and they build up nicely to the eventual one on one battle between the two assassins (and as shown in all the trailers and commercials, it’s an axe battle. Because why not). And to liven things up, out of town cop Taylor Kwon (Sung Kang, Fast Five) shows up and offers to help Jimmy Bobo get some answers in exchange for a tour through the criminal underworld so he can find the guys that set everything up. Because why not.Continue Reading …

Review: ‘Warm Bodies’

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When can we put this zombie thing to bed, at least for a little while? Looks, I was super into zombies like everyone there for a hot minute, and then I was done with them, and that is when “The Walking Dead” aired on the television and this zombie thing somehow got even more popular. But you can all feel it, right? The end? Because when we’re down to movies about zombies who re-learn how to live and fall in love, I am pretty sure we’re scraping the bottom.Continue Reading …

Netflix pick for 2/4/13 – ‘Bubble’

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“Bubble” is a small Steven Soderbergh experimental movie, squished between “Ocean’s 12” and “The Good German” and “Ocean’s 13,” an all digital movie back when that was actually an experiment, in the foul year of our Lord 2006, and populated with non-actors, who give naturalistic performances that border on stilted, all telling a very small drama that takes place in a small town doll factory (hence the creepy poster).

Also adding to the experimental nature? Most of the dialogue was improvised (again, by non-professional actors), the actors in the movie used their real homes, and when this film came out it was released simultaneously on DVD, in theaters and through video on demand services, which is a practice that is far more common now, but hey, someone had to blaze that trail.

It’s a short, interesting, well made movie, made with an obviously small budget, and it definitely fills in some interesting gaps in the overall body of work compiled by master filmmaker Steven Soderbergh.Continue Reading …

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