Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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Review: ‘High-Rise’

High-Rise-Teaser-Poster “High-Rise” is an intense and dark satire about societal living, set inside a towering building that contains not only condos but stores, schools and other amenities designed to make the whole thing self sustaining, a tower which has an unforeseen effect on its many inhabitants. Remarking on the class issues that permeate almost every society but of which the British are seemingly much more acutely aware and critical, and also serving as a commentary on the societal forces that keep us from devolving into tribe-based groups of marauders and murderers, this movie uses sex, violence and comedy to show us a world which we are seemingly constantly on the brink of becoming.

Dr. Laing (Tom Hiddleston) moves in to a newly built high-rise, a luxury building that is hi-tech and on the cutting edge, and he only has to leave the building to go to work. He meets some of his neighbors and the building’s architect Royal (Jeremy Irons) and he learns quickly that the people on the very top floors live a little more comfortably than the folks who make less money and live on the lower floors. As The Architect, Royal promised everyone a building that would give them a better way to live, a newly realized community of people that will engender real change in the way people behave. But when Royal thought this was going to be a positive change, it turned out to be quite negative. Things like power outages throughout the building and a poorly stocked supermarket start to get to the inhabitants, and they become more rowdy, angrier at the situation and each other, and smoothly enough the people in the building stop going out and stay inside and stay in their groups and start fighting each other. Before it is all said and done, the whole building has descended into squalor and chaos, with the poorer folks trying to get to the top of the building, and the few people already at the top indulging in pure debauchery on every conceivable level.

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Review: ‘Eye In The Sky’

EyeInTheSky_Poster“Eye in the Sky” is a tight thriller about drone warfare, examining the morality of making these brutal strikes from remote locations and the collateral damage they cause, but also getting into the complexities of coordinating with so many different people to make one crucial decision in a real time situation, and making this all seem that much more immediate and relevant is the current world setting, as the movie name drops real terrorist groups and actual events, driving home the point that this is how things really happen, this is the current state of the war on stateless terror.

So while being very current and of our time, the story itself is pretty solid in how new questions and obstacles keep popping up, making this a race against the clock type of situation, and as that clock ticks away the circumstances change, things are fluid at all times, and this causes ripples through all the layers of government involved in deciding whether or not to use this one mission to make one strike on one building to kill a small handful of people.

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Review: ’10 Cloverfield Lane’

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According to producer JJ Abrams, “10 Cloverfield Lane” is not a direct sequel to the 2008 found footage monster movie called “Cloverfield,” but instead is hopefully the beginning of a series of movies that will fall under a Cloverfield-themed banner, essentially an anthology of genre movies that will be similar in spirit and tone to each other but will be different stories going in different directions. Like “The Twilight Zone” or “Tales From The Crypt,” the word Cloverfield will theoretically start to mean something more to people than just “giant monster.” And with “10 Cloverfield Lane,” it appears that they have started this journey of a thousand miles with the proper first steps.

The cool thing about “10 Cloverfield Lane” is how the story and plot are both quite small and contained to a single set and only a few characters, but the scope of the movie ends up being pretty epic. It’s actually a great example of how a movie can give an audience just enough so that they can make bigger leaps with their imaginations, wondering how the details provided actually continue to extend throughout this world logically. We don’t need to actually see the full picture, just give a few smartly chosen details and let the audience do the rest.

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Review: ‘Secret in Their Eyes’

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“Secret in Their Eyes” is the kind of movie that never fully clicks, despite having all the elements needed to be a good, if not great movie. A twisty-turny plot with a great cast all doing solid work, it all works as well as an extended episode of “Law & Order” but also ultimately feels just as disposable, and considering the subject matter, this trait isn’t a good thing.

Constantly jumping back and forth between 2002 and 2015, “Secret in Their Eyes” is the story of the rape and murder of a young woman and how this deviant act of criminality deeply affected a number of people directly related to this case. Counter Terrorism expert and FBI Agent Ray (Chiwetel Ejiofor) ignores the orders of his boss by spending his time investigating this murder instead of doing the counter terrorism work he was there for, and he does so because the victim is the daughter of his FBI Agent partner Jess (Julia Roberts). With a little help and encouragement from the foxy district attorney for whom he has the hots (Nicole Kidman), he does his best to solve the murder in 2002, and again in 2015 when he finds new evidence.Continue Reading …

Review: ‘Bridge of Spies’

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Based on a pretty amazing true story, “Bridge of Spies” is an old school style Cold War era thriller, a movie about spies and geopolitical tensions and the ominous specter of a full blown thermonuclear war threatening to break out at any moment, but more specifically it is about some of the hidden and secretive actions of rival governments, and also how these governments view the populace and use them to their own ends, and how the populace could in term actually find a way to use their governments.

James Donovan (Tom Hanks) is a successful insurance lawyer at a large law firm in New York City, and one day he shows up to work to find that he has been elected by seemingly every other lawyer in New York to be the defense counselor for Rudolf Abel (Mark Rylance), a man arrested and charged with multiple counts of espionage and accused of being a Soviet spy. Drawing the short straw, he in convinced rather easily that this is in the best interest of the justice system itself, as it needs to appear obvious to everyone that this accused Soviet spy is still getting the full benefit of the American constitution, and Donovan sets out defend this man, all the while suffering anger and vitriol from the public at large.Continue Reading …

Review: ‘Sicario’

sicario_ver8“This is the land of wolves.”

“Sicario” sets itself apart from other drug movies by taking such an intense, in your face, this is how it really is approach to the story; this is about the ongoing drug war here in the Americas, where an outrageous demand for an illegal product in one country results in a massive amount of casualties in another, where governments take whatever approach they can to try to minimize the damage, and in which there are people willing to do some very questionable things for an outcome that ultimately may, if they are lucky, only chip away at the overall problem. How far are you willing to go for something you truly believe in? What can you sacrifice, in terms of those you know and even just yourself? Hard questions have hard answers, and sometimes arriving at those answers ends up being worse than simply not knowing. Ignorance is bliss, but it also exacerbates the situation because how can a problem be fixed if one pretends it doesn’t exist?Continue Reading …

Review: ‘Everest’

everest_ver4_xlg“Everest” is based on a true story of a mountain climbing expedition in the summer of 1996 that went very wrong, mostly because a storm came through that just kind of ruined everyone’s day, some more so than others, but of course this isn’t just a movie about the trevails and spiritual rewards of mountain climbing but instead is a story of survival, perseverance and personal sacrifice, as well as the possibly high cost of human hubris.

New Zealander Rob  Hall (Jason Clarke) is a pioneer in the mountain climbing world, as he took the previously impossible task of scaling Mount Everest and turned it into a full on enterprise, as people paid him tens of thousands per person to guide him to the top and back down Mount Everest. He started yearly expeditions, training amateur climbers over the course of several weeks to summit the world’s highest mountain, and it didn’t take long for other professional climbers to copy this business model, to the point in which the mountain was overrun by competing expedition teams in 1996, all of them jockeying for time on the mountain, causing massive delays in each other’s trips, and helping to exacerbate problems that would prove both burdensome and deadly at the most inopportune times.Continue Reading …

Review: ‘Cop Car’

copcar_posterOf course movies with twisty plots and lots of surprises and out of left field decisions and choices can be very fun and exciting, almost all of us enjoy stories with lots of characters and little subplots that add up to a bigger story that seems like it took months and months to craft into something so ingenious. However it is equally delightful when a movie comes around that is simple in story and execution and still leaves us feeling exhilarated from what we saw, maybe even more, and “Cop Car” definitely fits this latter category, as it is a short, simple tale, yet one that is involving and so well done that is becomes very suspenseful as well as quite funny, so when it is all said and done it feels like a lot still happened.

“Cop Car” is the story of what happens when two young kids in Colorado steal a sheriff’s cruiser and take it for a joyride, and what that Sheriff (Kevin Bacon) does to get it back, as well as why he wants it back so bad (outside of it being his police cruiser and him being the sheriff and all that). And that really is it. We learn pretty early on that the two boys are runaways, though we don’t know what they are running away from or why, and we really don’t learn all that much about the Sheriff either. We are told just what we need to know, which is enough, and it works pretty damn well.

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Review: ‘No Escape’

no_escape_ver3_xxlg“No Escape” is a movie about the lengths parents would go to in order to keep their family safe. In a world filled with dangers and difficult decisions, this is one of the hardest and most stressful things a person could go through in normal day to day life, let alone in the middle of a war zone with imminent death around every corner.

Jack (Owen Wilson) works for a large American corporation, and his employer sends him to an unnamed Southeast Asian country to work on some sort of “clean water” project, which he sees as a noble endeavor. His wife Annie (Lake Bell) puts on a brave face but it is obvious that this whole situation is very stressful for her and their two little girls. Just the idea of moving to a foreign land and not knowing the language and customs is enough to make things difficult for them, so it doesn’t help that they have no idea that a rebel coup is underway just as they land in the country, and that while they sleep overnight, rebel forces take to the streets and essentially take over the entire country.Continue Reading …

Review: ‘The Gift’

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“The Gift” is the kind of movie people like to say don’t get made anymore, an original film aimed at the adults, not relying on gimmicks, tricks, huge budgets or some preexisting source material, but instead built on a tight, lean story about actual characters who are more complex than they initially seem. It has much more in common with Alfred Hitchcock than Michael Bay, in the best way possible. It takes the audience on a ride, building up to a pretty wild conclusion, never dumbing down or pandering but instead challenging and engaging, exactly the kind of film that works as a nice palate cleanser after a summer of huge blockbusters.

Simon (Jason Bateman) and Robyn (Rebecca Hall) move back to Simon’s hometown so he can work a new job, and shortly after coming back to town, Simon is seen and approached by Gordon (Joel Edgerton, who also wrote and directed), an old friend from high school. Gordon quickly latches on to Simon and Robyn, dropping by during the day to visit Robyn when Simon is at work and constantly dropping off gifts for them, going out of his way to be kind and giving, which Robyn doesn’t mind too much but Simon gets weirded out by. It becomes obvious that Gordon being back in Simon’s life is upsetting him, even though from the outside Gordon does seem to have the best of intentions. But we know this is a movie, and shit is gonna get intense and so it goes. Simon tries to break off the one-sided friendship with Gordon, and Gordon starts stalking and terrorizing them in small, impossible to prove ways.Continue Reading …

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