Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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Review: ‘Whiplash’

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How far would you go to be the best at something? That question is at the center of “Whiplash,” a drama about a music school student and the adversarial relationship he develops with the school’s top instructor whose techniques are more akin to a military boot camp than they are band camp. And for being a movie about the student-teacher relationship in the world of jazz drumming, “Whiplash” is surprisingly tense and in your face, filled with danger and menace and tragedy, done in double time.

Andrew (Miles Teller) is a freshman at music conservatory in New York City, a place considered to be the top music school in the country, and roaming the halls of this school is a bald, intense, wound up knot of a man named Fletcher (J.K. Simmons), who apparently has a reputation demands people pay him the utmost respect. It probably has something to do with how he picks the best students for his ensemble and trains them for competitions that could lead to promising careers so people are desperate to get his approval because his opinion matters so much. When Andrew finds himself somehow in the same room with this guy and with the chance to earn a spot in his band, he does everything he can to make that happen.

And that’s not enough because almost immediately Fletcher is on Andrew’s ass, pushing him harder than Andrew’s ever been pushed before, breaking him down emotionally from the very beginning so that Andrew could possibly reach deep down inside and somehow work even harder to be a better drummer. So rest assured, this movie features drums covered literally in blood and sweat, and we can easily assume that tears hit the drum kit at some point as well, so there can be no doubt whatsoever that this Andrew guy is truly giving it his all. But is it enough? And what could happen if it isn’t?Continue Reading …

Review: ‘Killing Them Softly’

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Originally published on Examiner.com on December 12, 2012.

Is “Killing Them Softly,” an arty mob drama about the death of the mythical American Dream, too cynical for today’s audiences? And is that even possible? What could be the reason for the backlash against this expertly crafted and confidently presented stripping down of the usually flashy and glitzy mob gangster genre? Are people uncomfortable with the message, or how the film conveyed the message? Or did “Killing Them Softly” lack a strong message in the first place?

After a mob protected poker game gets knocked over by two dumb thugs working for a third, slightly smarter moron, the whole local mafia economy goes into the toilet, because no one wants to go to a poker game to spend money if all that money is just gonna get stolen anyway. So the mob’s beleaguered lawyer (Richard Jenkins, Burn After Reading) calls in the mob’s version of internal affairs, a greasy haired, too cool for school enforcer named Jackie Cogan (Brad Pitt, The Assassination of Jesse James by the Coward Robert Ford), and Jackie grabs the mob underworld by the ankles and holds it upside down and shakes it until he gets the answers he’s looking for.Continue Reading …

#97 – Hollywood Sham Awards

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In episode 97, Chris Crespo and Drewster Cogburn review “Dumb and Dumber, To” and “Whiplash” and Chris reviews “Rosewater.”

There’s a new Netflix Pick of the Week, they recap the box office weekend and they preview the new movies coming out on DVD and in theaters this weekend.

Discussed in this episode: the Hollywood Film Awards, Universal Monster movies, three more “Fast and Furious” movies, Chan Wook Park’s next English language movie announced, “Batman Versus Superman Colon Dawn of Just Ice” update, Tarantino to retire, the early buzz for “Kingsman: The Secret Service.”

Enjoy!

Continue Reading …

Review: ‘Birdman: or (The Unexpected Virtue of Ignorance)’

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“Birdman” is about fame and infamy, artistic expression both successful and failed, dealing with a reputation despite whether or not it is earned, and mostly it is about that point in just about everyone’s life in which they question what they are doing, whether they are doing it right, and whether or not they are failing at life in some way. For most people this is known as the “mid-life crisis,” though it can happen to anyone at any point, and it can happen multiple times. It happens to more people than not, and from the outside looking in it can be quite entertaining to watch, even if a little sad and even cringe-inducing. The misery of others is comedy to us, if only because we can relate. We just call it “dark comedy,” and then proceed with the laughs. A man in the throes of an emotional breakdown on the verge of losing everything is not funny, yet it actually is if looked at from the right angle. This is “Birdman.”

Riggan Thomson (Michael Keaton) is adapting a Raymond Carver short story into a stage play, to be produced on Broadway no less, and the only problem for him is that very few people are taking him seriously due to the fact that he made his bread and butter twenty years prior making a trilogy of superhero movies centered around a character named Birdman. He still gets stopped on occasion by Birdman fans asking for him an autograph. When a young kid asks his mom who Riggan is supposed to be, his mom replies, “he used to be Birdman.” That’s a burn for ole Riggan. He didn’t used to be anything. He is what he is, which is a person, Riggan Thomson, an artist, a man, a human being. He wants recognition not for what he once portrayed but for what he can due now in the present, and for some reason he saw this play as his best option. So he gets his best friend and lawyer Jake (Zach Galifianakis) to help him produce this big play and when the movie starts he is just getting ready for previews, which are the dress rehearsal performances in front of paying crowds leading up to opening night.Continue Reading …

Dr. Drew’s Two Cents – Comic Books: Round Two

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In this BONUS episode of Dr. Drew’s Two Cents, Drewster Cogburn talks about comic books again, but this time he talks about the more non-commercial, weirder, off the beaten path comics.

Discussed in this episode:

Marvel 1602 by Neil Gaiman, Punisher and Wolverine origin , Brian K. Vaughn’s Pride of Baghdad, Y The Last Man and Saga, Jonathan Hickman’s East of West and Pax Romana, Vertigo’s Scalped, a Transformers/G.I. Joe World War II set crossover, Transmetropolitan, Groo and The Fountain.

Enjoy!

Continue Reading …

Review: ‘Interstellar’

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BOOM! CRASH! POW! OUTER SPACE! SILENCE! WORMHOLES! ALIEN PLANETS! DANGER! BLACK HOLES! BLARING MUSIC! RUMBLING BASS! MCCONAUGHEY!

“Interstellar.”

That’s the first impression that this movie leaves you with, as it is 169 minutes of bombast, big scientific ideas, huge human emotions and visual depictions of space and space travel never been seen in a movie (or anywhere else really). This is a huge movie in scope and size, earnest in its emotional, very human story but also desiring to leave the audience in awe of the breadth of vision of the film makers as well as the magnitude of the ideas that have been bandied about by the characters. After all, it’s not every $160 million dollar budgeted movie that has major plot points revolving around the relative nature of time throughout the cosmos and the existence of dimensions beyond the three that we as humans and observers of the world around us can even understand.Continue Reading …

Netflix pick for 11/10/14 – ‘The Karate Kid’

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Ralph Macchio is all like “I’m a high school kid from New Joisey and these California kids are a’bustin’ my chops over here-unnh!” and Pat Morita is all like “Daniel san, I will-a teach you how to fight-a with kah-rah-tay!” and he gets him to do all the landscaping for his backyard and paint his house and fence and wax his cars and shit and then someone convinces this kid that he was training him to karate fight the whole time. And joke’s on us. Because it fucking worked.

From the director of “Rocky” and the writer of “The Transporter” comes the original “The Karate Kid,” a sweet little romantic comedy coming of age drama featuring karate training montages and a whole karate tournament. Inspiring a generation of kids to try that weird crane kick thing there while standing in waist high water in the ocean, this is a great movie, well made, finely acted and with a solid, easily relatable yet fairly unique story. It has awesome bad guys, a sweet soundtrack, and Elisabeth Shue. Elisabeth Shue, I say!Continue Reading …

#96 – The Parate Kid

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In episode 96, Chris Crespo and Drewster Cogburn are joined by Nick Sharabba.

Chris and Drew review Interstellar (sans spoilers) as well as Birdman.

The Karate Kid is the new netflix pick of this week, and this gives Chris a million dollar idea (or two) for some reality television type shows.

Also discussed in this episode: Damon vs Clooney in the Crespodome, Gone Girl is messed up, is Culkin dead, The Hateful Eight cast and plot, Elvis & Nixon movie, Toy Story 4, Michael Fassbender is Steve Jobs, and Johnny Rockets’ brand drive-in theaters?

Plus much more!

Continue Reading …

Spoiler Bonus Episode – Interstellar

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In this BONUS episode of Cinema Crespodiso, Chris Crespo and Drewster Cogburn go deep on Interstellar, with plenty of details and SPOILERS.

They talk about all the little secrets and the weirdness and the secret stunt casting and the crazy ending, all with SPOILERS, so if you haven’t seen Interstellar yet than all that is left to be said is SPOILER ALERT.

Enjoy.
Continue Reading …

Review: ‘Nightcrawler’

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“Nightcrawler” is an intense little movie about some pretty big ideas. The media we consumer as a culture has to come from somewhere, and this movie focuses in on one particular part of our media, one that long ago has seen the ideal of “journalistic integrity” shredded to bits in the wake of advertising dollars and sweeps weeks ratings, that being the news, the people and companies tasked with dispensing information to the concerned public.

Like any other television program, your local news programs on the various networks are all vying for the same eyeballs, and it is a bit of a war when it comes to the ratings. And just like with any other programming entity, the better the ratings for the show, the higher the cost of advertising on said show. Get more people to watch your, show, get more money spent on your show, which means more money for the powers that be.Continue Reading …

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