Being a regular radio talk show guest and podcaster, I get occasional opportunities to spread my brand of madness to the world on other programs. In addition to Cinema Crespodiso, I also call in every Thursday to The Curtis Earth Show on 91.5 fm WPRK (WPRK.org) to talk about movies for 10-20 minutes, but that can only be heard live as it happens. But sometimes that’s not enough, and I pop up somewhere else, spewing my opinions out like a dragon spitting fire, albeit with far less damage to my surroundings. Here is where these guest appearances are documented.Continue Reading …
Review: ‘Room’
“Room” is a tense little character drama expertly made in every way, a raw, emotional movie that tells a tough story and freely digs deep into a nightmarish scenario that we all know is far too common and which we try not to think about very much. This is the type of movie that reminds us about what kind of terrible things happen out there in our world, and how there are people going through tremendous hardships and how amazing these people can be in their very basic quest for survival. Sounds like fun, no?
And despite being heavy, “Room” is not a depressing movie, it does not beat you over the head and force you to feel bad for some people, but instead in a way it manages to reinforce our more positive feelings about humans and our will to live and what we would do for each other. Yes this is a story about a person who has been suffering terrible abuses for years, but it is also a story about motherhood and the connection between a parent and child and how this can be one of the strongest bonds in the known universe.
Ma (Brie Larson) lives inside a small windowless room, with only a skylight far above providing any natural light, and the rest of the walls and ceilings covered in sound-proofing foam. In this room she has everything – a toilet, a bathtub, a tiny kitchenette, a television, a bare minimum of supplies basically – and this is because she can never leave the room. She is locked in, an electronic keypad keeping the door shut, with supplies being brought to her by some creepy guy named Old Nick (Sean Bridgers), who tells her how lucky she is to have someone like him to bring her stuff, all while he’s taking off his pants and climbs into bed with her.Continue Reading …
Crespo Guest Appearances: InSession Film Episode 143
Being a regular radio talk show guest and podcaster, I get occasional opportunities to spread my brand of madness to the world on other programs. In addition to Cinema Crespodiso, I also call in every Thursday to The Curtis Earth Show on 91.5 fm WPRK (WPRK.org) to talk about movies for 10-20 minutes, but that can only be heard live as it happens. But sometimes that’s not enough, and I pop up somewhere else, spewing my opinions out like a dragon spitting fire, albeit with far less damage to my surroundings. Here is where these guest appearances are documented.Continue Reading …
Netflix pick for 11/16/15 – ‘Hellraiser’
As heard in episode 149 of Cinema Crespodiso.
“Hellraiser” from 1987 stands out from the rest of the 1980’s popular horror films and icons due to its sheer brutality and intense weirdness. In a horror movie landscape that includes two masked seemingly supernatural slashers and a burn victim who kills kids in their dreams comes this group of alternate dimensional beings who are the universe’s ultimate sadomasochists. More gory, strange and involved than the other films of the era, “Hellraiser” doesn’t get the same kind of recognition and kudos as its contemporaries, and that is a shame because it is probably the scariest and most horrific of them all.
Most people think of the colloquially-named Pinhead character when thinking of this series of movies, but the initial “Hellraiser” only featured this character in a few scenes, and he was among of group of like-minded beings, all of whom were only into taking people and putting them in a terrible purgatory-like existence in which they inflict both extreme pleasure and extreme pain on these people, torturing them forever (or I guess until they get bored). But when one of these people somehow escapes back into the real world, he has to convince his ex-lover to kill people so that they can use the blood of the victims so he can reform himself and re-enter the world. Sound weird? Because it IS weird.Continue Reading …
#149 – Send The Death Storm
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In episode 149, Chris Crespo and Drewster Cogburn review The Peanuts Movie, and Chris reviews Room.
Billy D reviews The Sand.
The Netflix Instant Pick of the Week is Hellraiser.
The Crespodisco features two classic Peanuts tunes.
Does Black Panther have to have a black director?
AMC making another zombie show.
Shia LaBeouf doing Shia LaBeouf things.
Continue Reading …
Crespo Guest Appearances: Tidbits Episode 1
Being a regular radio talk show guest and podcaster, I get occasional opportunities to spread my brand of madness to the world on other programs. In addition to Cinema Crespodiso, I also call in every Thursday to The Curtis Earth Show on 91.5 fm WPRK (WPRK.org) to talk about movies for 10-20 minutes, but that can only be heard live as it happens. But sometimes that’s not enough, and I pop up somewhere else, spewing my opinions out like a dragon spitting fire, albeit with far less damage to my surroundings. Here is where these guest appearances are documented.
A new podcast network has been birthed here in Florida called “Pfft Radio” and so far there is one episode of one new show, and I just happened to be a guest on this particular show. Started by Steve Etchie, previous guest on Cinema Crespodiso and host of the recently defunct show “Answer Pants,” this new show is called “Tidbits,” and will feature multiple guests each episode, each of them telling stories or anecdotes that can range from short to lengthy, and can be funny, smart, poignant, inspirational, depressing, or any combination of these.Continue Reading …
Review: ‘Spectre’
Here we are again, watching and reviewing yet another James Bond movie, this time in the form of “Spectre,” the follow up to the hugely successful and well liked 2012 movie “Skyfall,” and not only did we get a returning Daniel Craig as Agent 007, but director Sam Mendes came back as well, bringing with him his sense of craftsmanship and detail which has made the last two Bond movies the best looking and most technically accomplished of them all. Lush, gorgeous and epic, “Spectre” arrives as the biggest and most expensive Bond movie ever, but did that necessarily translate into a “good” Bond movie?
For some reason, there are many out there who are really down on this movie and kind of hate it. A glimpse at Rotten Tomatoes or Metacritic shows a very divided response, with people who didn’t like “Spectre” expressing that they really didn’t like it. Do these people not remember “Die Another Day” or “Quantum of Solace” or the entirety of the Roger Moore era, which culminated with one of the worst big budget movies of the 1980s, “A View to a Kill?” I’m not going to say that “Spectre” is the best of the entire series, and I wouldn’t even say it’s the best of the Daniel Craig Bond movies (cause it ain’t) but this movie is hardly worthy of derision. If anything, it delivers a lot of the classic Bond tropes that have been largely missing for the last few films, while maintaining the more serious edge of these post-Brosnan movies, so while the movie does indeed have a stumble or three here and there, it is mostly quite good and still nails what makes Bond movies fun as well as what makes these Craig-led movies different from the rest.Continue Reading …
Netflix pick for 11/9/15 – ‘Kickboxer’
Who ordered the late 80s, low budget martial arts mini classic? Because here we are with the 1989 film “Kickboxer,” which is one of the better Jean Claude Van Damme action movies of the 1980s and 1990s. Featuring a simple yet effective plot, multiple training montages, a scene of drunken dancing, and a final fight good enough to be spoofed by other movies, this is a ridiculous, fun, sentimental, somewhat tone deaf and yet entirely enjoyable movie.
Jean Claude Van Damme plays Kurt Sloane, the brother of a successful kickboxer, and he gets a front row seat to see his brother get paralyzed in the ring by a hateful Thai kickboxer named Tong Po. And in order to get revenge for his bro, Kurt decides to train to become a Muay Thai fighter and take on Tong Po in the ring. After the quick set up, a majority of the movie is Kurt in the middle of the jungle going through some old school, primitive training techniques with a martial arts master who lives by himself in the middle of nowhere, which means this movie is loaded with montages. You can watch Van Damme kick trees, stands, sticks and air, do all sorts of splits, punch and kick underwater, get coconuts dropped on his stomach from trees, and much more, because we need to fill ninety minutes of run time to make this a feature length movie.Continue Reading …
#148 – The Begotten Challenge
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In episode 148, Chris Crespo and Drewster Cogburn are joined by first-time guest Swervey Jones, host of The Swervey Jones Show (http://swerveyjones.weebly.com/).
Chris and Drew review Spectre.
Billy D reviews The Last Shift and issues The Begotten Challenge, as Drew issues the Visitor Q Challenge.
The Netflix Instant Pick of the Week is Kickboxer. Yes, Kickboxer.
The Crespodisco features the first two songs from Thomas Newman’s “Spectre” soundtrack.Continue Reading …
Review: ‘Goodnight Mommy’
As opposed to unstoppable monsters or slashers or any sort of undead situation, “Goodnight Mommy” derives its terror and tension from horrific situations which could plausibly happen. People don’t have to be possessed by demons or chased by aliens or hunted by psychopaths, they can just have problems which manifest themselves in a way that is, to say the least, not healthy for everyone involved. Thick with an atmosphere of dread and some good old fashioned Fear and Loathing, this is a movie that unnerves well before it gets to anything really shocking, but then it does a little bit of that shocking, too. Well, dependent on your exposure to these types of movies, anyway.
The movie starts with Lukas and Elias, twin boys, alone, playing in fields and woods by their isolated home. When their mother comes home, her whole face is bandaged, with only her bloodshot eyes and mouth exposed, and the twins are immediately off put by her appearance. She explains that they need to keep the house dark and quiet as she recuperates, she acts very sternly when enforcing the rules, and she only refers to one of the two boys, all of which upsets them and makes them question whether or not this woman is actually their mother. Continue Reading …
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