Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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Review: ‘Inside Out’

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“Inside Out” is another one of those “it’s for the kids but it’s REALLY for the parents” kind of animated movies, you know, the ones Pixar has excelled at for about two decades or so, the movies that are cute, brightly colored and imaginative in a way that sucks in the young ones and holds their attention, but traffic in ideas that are decidedly the stuff of adults, requiring some life experience and perspective for the themes to really resonate, which rest assured they do. Want to take the kids to a movie about the imminent end of their childhoods? Then “Inside Out” is for you! That’s what I’d put on the poster anyway.

In “Inside Out,” 11-year old Riley moves with her Mom and Dad (because where else is she gonna go?) from somewhere in Minnesota to San Francisco. The move is due to Dad getting involved in some fledgling tech business, with Mom and Riley dutifully coming along, and this all has some negative effects on Riley, who has trouble adjusting to her new surroundings. A pretty dull set up, as far as plots go. But while this story plays out, a majority of the movie takes places inside Riley’s brain; the emotions of Joy, Sadness, Anger, Disgust and Fear are personified as five little characters that “work” inside Riley’s head, looking through her eyes like a giant viewscreen and collecting and collating her memories around the clock and storing them in the right places, with Joy leading the charge, doing her best to ensure that Riley is having a happy life.Continue Reading …

Netflix pick for 6/22/15 – ‘The Exorcist’

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When “The Exorcist” came out in 1973, it shook the world with its bleak, gloomy depiction of exorcism and demonology, a horror film made to an extreme that was not at all common at the time. It helps that not only does this story go to some taboo, dark places but was done so in a very masterful manner, which just made it all hit that much harder. It became common to see people literally fleeing the theaters in tears, having been broken down by this movie about a girl being possessed by a demon and the exorcists called in to save her. It was just too real for them. Something so fantastical and outlandish seemed possible because the movie was so believable.

Since ’73 there have been a few dozen movies featuring demonic possessions and exorcisms, including a few direct sequels and one prequel to “The Exorcist” itself, and with the horror genre really taking off in the 1980’s and arriving at some brutal depths in the 90’s and now in the new millennium, this movie likely won’t have the same impact on people seeing it now for the first time. But even if the events in this movie don’t seem so shocking now over three decades later, it is still possible to appreciate the artistry in making this film. It is incredibly well shot, looks amazing, and the tension and dread build slowly throughout leading up to a pretty explosive conclusion.Continue Reading …

#128 – The Digital Wasteland

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In episode 128, Chris Crespo and Drewster Cogburn review Dope and Inside Out.

There are new editions of Billy D’s Death at the Movies, Vox Populi, and Netflix Instant Pick of the Week, as well as our first in-show Dr. Drew’s Two Cents segment.

Also discussed in this episode: Bourne 5 with Matt Damon, Wolverine 3 will be Hugh Jackman’s last, Rob Zombie making a Groucho Marx biopic, Ghostbusters 3 updates, there are three Bermuda Triangle movies in the works, plus much more!

Continue Reading …

Spoiler Bonus Episode – Jurassic World

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In this SPOILER bonus episode, Chris Crespo and Drewster Cogburn review Jurassic World.

SPOILER WARNING:

They discuss all the details and spoilers, getting into why they didn’t fall in love with it.

They also rank all the Jurassic Park movies from best to worst.

Enjoy the show.

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Netflix pick for 6/15/15 – ‘The Aviator’

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From 2004, “The Aviator” Howard Hughes biopic starring Leonardo DiCaprio and directed by Martin Scorsese is just as much a movie about Hughes as it is a movie about movies, especially those of the ’30s and ’40s, and this whole epic film serves as a huge love letter to a bygone era while also working as a great depiction of a man held back only by his own demons.

Howard Hughes was a man who made a lot of money for himself and used it to the push the limits of what interested, which the 30’s and 40’s often involved filmmaking and aviation, and in both arenas he was constantly pushing for bigger and bolder. This movie starts with him directing his first movie, the huge hit “Hell’ Angels” and ends with him trying to validate his hugely ambitious Spruce Goose monster plane for the US Military which ended up costing more than planned and couldn’t even be completed before the end of the war.Continue Reading …

#127 – What is the What?

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In episode 127, Chris Crespo and Drewster Cogburn are joined by Soul Brother Kevin from The SBK Live Show.

Chris and Drew review Jurassic World and talk about seeing Mad Max: Fury Road for the third time on a whim.

In this episode: release dates for The Equalizer 2 and The Hateful Eight, Bad Boys 3 gets a new director, Breaking Bad/Game Of Thrones director eyed for Star Wars movie, Danny McBride and Jody Hill are back, updates on Batman v Superman, Daredevil and Dr. Strange, plus so much more.

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Review: ‘Jurassic World’

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No one really asked for it, yet here it is, “Jurassic World,” the fourth installment of the dinosaur-centric film franchise famously started by Steven Spielberg in the early 1990’s, based on a best selling book by popular novelist cum film maker Michael Crichton. Are you okay with more rampaging dinosaurs and scared kids running for their lives and only half-lively banter between a pair of normally very likable leads? Then we got the movie for you.

“Jurassic World” starts with a pair of brothers, high school aged Zach (Nick Robinson) and younger wide-eyed Gray (Ty Simpkins) getting sent off to a fully functioning “Jurassic World,” the official name of the theme peak carrying out the dreams and ideals of its founder and featuring a couple dozen dino species in the forms of different rides and exhibits, and the reason they can apparently go is because their aunt Claire (Bryce Dallas Howard) works there as the theme park operations manager. And Claire does the movie-typical thing of letting work come first so she offloads the kids to some assistant so she can conduct some business while the kids check out the park. For no apparent reason they ditch their chaperone and check out some rides on their own.

In the meantime, a giant genetically modified and improperly raised dino-monster escapes from its enclosure and makes its way to the park. Bad timing.Continue Reading …

Review: ‘Spy’

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Melissa McCarthy and Paul Feig killed it with “Bridesmaids,” and they even made some of that sweet cash money with the not-as-good “The Heat” (a movie that I didn’t dislike but felt could have been developed more beyond it’s initial premise), and here they are with “Spy,” their third go-around together in the form of a spy movie spoof. And let me tell you, as unpromising as “Melissa McCarthy spy movie spoof” sounds, this thing actually works damn well on a few levels and may be the biggest surprise of the summer for me.

“Spy” is about Susan Cooper (McCarthy), a CIA Agent who works at the headquarters as a desk jockey, talking to a field agent through an ear piece and providing important and life saving information during each mission. The agent she has been working with is Bradley Fine (Jude Law), a total James Bond type of spy, and they work really well together and she also obviously loves the guy very much. So when a mission goes wrong and he is killed by a wanna be nuclear weapons dealer named Rayna (Rose Byrne) and it turns out that Rayna knows the identities of all of their field agents, Susan volunteers to go into the field for the first time on a simple “search & report” mission. And of COURSE she gets in way too deep and does much more than just report, as she feels she can stop Rayna and the nuclear weapon deal herself.Continue Reading …

Review: ‘Entourage’

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Do you have to be a fan of the original “Entourage” HBO television series in order to enjoy the “Entourage” movie? Yeah most likely, or else you won’t understand who these characters are or why they do what they do. But will being a fan of the show guarantee that you will like the movie version? That depends on how low you set your bar for cinematic expectations. Because “Entourage” the movie is just an overly long, low stakes, lightweight episodic installment of the first world problems of people who are absurdly rich and hugely successful already.

In the television show, we started out with movie star to be Vincent Chase (Adrian Grenier) and his “entourage” of friends and they started out at the bottom, with minimal credits and experience and a long shot at “making it.” Over the course of eight seasons, they clawed their way to the top, and along with Vince’s agent Ari Gold (Jeremy Piven), they all became hugely successful one way or another, got what they wanted, and ended the show on top of their respective worlds. Vince is a huge movie star and gets married, his best friend and manager Eric (Kevin Connolly) has a successful agency, his brother Johnny Drama (Kevin Dillon) followed up two runs on successful shows with yet another successful show, Vince’s driver Turtle (Jerry Ferrara) has become a tequila millionaire, and Vince’s agent Ari has enough money to retire in Italy with his wife.Continue Reading …

Netflix pick for 6/9/15 – ‘Beginners’

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Need a little respite from these summer blockbusters? Tired of the parade of soulless product designed specifically to make money? Want something intimate and personal and real? “Beginners” is the perfect solution for your needs, thanks to its wonderful acting, great story and excellent direction, a fantastic film made with the clarity of vision not possible when making a film by committee a la everything that comes out between May and July every single summer.

The movie, written and directed by Mike Mills, centers on Oliver (Ewan McGregor) during a crucial time in his life. His relationship with his father (Christopher Plummer, who won an Academy Award for this performance) in the final years years of his life took a turn when his father came out of the closet following the death of Oliver’s mother, and when his dad starts being a more honest person about who he is, his relationship with his son starts to improve as well.

And Oliver also meets Anna (Melanie Laurent) at a party and coming off his own failed relationships, he decides to finally take a chance and try his hand at this romance thing once more, and the portrayal of this evolving relationship is very real and personal and rings true, much like the rest of the film, which is why it all works so well. It has its own unique voice and makes for a wonderful little movie.Continue Reading …

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