Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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#125 – Kung Furry

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In episode 125, Chris Crespo and Drewster Cogburn review Aloha and Chris reviews San Andreas.

Also discussed in this episode:

Kung Fury, Harbinger Down, Big Hero 6, The Two Faces of January, Rick Baker retires, The Legend of Conan, Tilda Swinton in Dr. Strange, Tron 3 cancelled, plus much more!

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Review: ‘San Andreas’

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Dwayne Johnson should be the world’s biggest action star right now. Why he isn’t, I have no idea. Why can’t he can’t into better projects that feature him? Because when he gets inserted into something like a “Fast & Furious” movie or a “G.I. Joe” sequel, or even as a sidekick in a Michael Bay-Mark Walhberg movie, he is easily the best part of those films, whether they are good or bad. But then we have something like “San Andreas.” When he gets the chance to be the lead, it is almost always in a movie that is just not good, no matter how much charisma he pumps into it. Like “Hercules,” we have Mr. Johnson bringing his A-game to a movie that just doesn’t work out, for a myriad of reasons.

In “San Andreas,” Ray (Dwayne Johnson) is dealing with the recent separation and impending divorce from his wife whom he still clearly loves Emma (Carla Gugino), and it’s one of those separations that seem to be as amiable as it gets. Emma has a new super rich architect boyfriend named Daniel (Ioan Gruffudd) which does make things a little awkward. And in the middle of all this is Ray and Emma’s college age daughter Blake (Alexandra Daddario). And when the movie starts, despite Ray having to break plans with his daughter because of work related stuff and despite the divorce, all of these people get along pretty great. Whereas other movies would use this to make Ray seem like a workaholic and his family resentful of it, Blake is super understanding of her dad’s job. And when Ray and Emma have a little tiff over her plans to move in with Daniel, Ray gets in touch with Emma the very next day and apologizes and she accepts it and it is all hunky-dory. And when it seems like Daniel would be trying to move in as “new dad” and possibly have a hard time relating to Blake, he turns out to be kind and thoughtful, and he’s all like “I’m not here to replace your dad or what you have with him, I just wanna be like cool and stuff,” and Blake is all smiles and she’s like “hey thanks man I really appreciate that.”Continue Reading …

Crespodiso Film School – Summer Blockbusters

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In this BONUS episode, Chris Crespo and Drewster Cogburn go over the history of the summer blockbuster – how it started, how it evolved, and how it changed the movie industry as we know it today.

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Review: ‘Tomorrowland’

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“Tomorrowland” arrived with much promise – a wholly original sci-fi film starring George Clooney and more importantly developed by a wondrous filmmaker by the name of Brad Bird, he of “The Iron Giant” and “The Incredibles” fame. His second live-action film after the hugely entertaining “Mission: Impossible – Ghost Protocol,” this was supposed to be the antithesis to the same old, same old, an antidote to the parade of boring installments of mega franchises that regularly populate the multiplexes this time of year (and now seemingly year round). Tired of comic book movies and film adaptations of old television shows and remakes of movies that were perfectly fine to begin with? Then “Tomorrowland” is supposed to be your answer. So why did it just land with the most resounding of thuds?

“Tomorrowland” is the story of Casey Newton (Britt Robertson), who lives in Cape Canaveral, Florida, and is trying her best to fight against the dismantling of the space program which employed her father for many years and which inspired her long ago to look up at a starry night with wonder. This determination and hopeless optimism gets her on the short list of people who are granted access to Tomorrowland, a sort of alternate dimension place designed by geniuses and meant for society’s best and brightest, a place for them to experiment and develop their radical ideas and attempt to make the world a better place. She spends a short amount of time in Tomorrowland, which looks mostly like The Airport of The Future, and then spends most of the rest of the movie trying to get back there. In order to get back, she is introduced to Frank (George Clooney), who was a citizen of Tomorrowland when it was first conceived, but found himself excommunicated from the place for reasons not made entirely clear outside of “ideological differences.” Frank is a total grump, but he reluctantly agrees to help Casey go back to Tomorrowland in an attempt to “save the world.”Continue Reading …

Netflix pick for 5/26/15 – ‘Hot Fuzz’

MV5BMTIxODg2NDU1MF5BMl5BanBnXkFtZTcwOTc3MDM0MQ@@._V1_SX640_SY720_“Hot Fuzz” from 2007 is the second of three genre-based films from the team of Edgar Wright, Simon Pegg and Nick Frost. Following their zombie romantic comedy “Shaun of the Dead” and preceding their ode to “Invasion of the Body Snatchers” and growing into adulthood in the form of “The World’s End,” here we have their paean to the absurdity that is American action filmmaking, and it is a pretty glorious thing to behold.

Very specifically citing “Point Break” and “Bad Boys II,” “Hot Fuzz” is the story of a hot shot cop in London who keeps upstaging his coworkers, so he finds himself being transferred to a sleepy little village out in the middle of nowhere, designed to get him out of the way and let him waste away somewhere in which the biggest crime is teenage loitering. But since he IS a super cop, Nicholas Angel (Pegg) uncovers a conspiracy within this town and sets to right the wrongs done illicitly right under everyone’s noses.

This movie has the signature hyperactive presentation that Wright has become known for, along with a proper story about a couple of guys learning to get along with each other that provides a nice emotional underpinning for all the violent shenanigans that happen around them. “Hot Fuzz” is an absolutely wonderful and fun movie and one which action film fans should be able to appreciate for many reasons.Continue Reading …

#124 – In Real Life

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In episode 124, Chris Crespo and Drewster Cogburn review Tomorrowland and Poltergeist.

Also discussed in this episode:

Phil Lord on The Flash and animated Spider-Man movies, Batman vs Superman villain rumors, sequels for World War Z, Jack Reacher, Blade Runner and Now You See Me, Magnificent Seven remake casting news, what is Todd Phillips’ next movie, Hannibal season 3 on TV and a Bill Murray Christmas Netflix special. Plus so much more!

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Spoiler Bonus Episode – ‘Mad Max: Fury Road’

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In this bonus SPOILER episode, Chris Crespo and Drewster Cogburn review Mad Max: Fury Road and they get into all the details and spoilers, so beware of the spoilers, if you haven’t seen this movie yet then just download this episode and sock it away and when you finally DO see Mad Max: Fury Road you can then go back and listen to this wonderful little bonus episode full of spoilers.

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Netflix pick for 5/18/15 – ‘A Single Man’

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Could Calvin Klein or Giorgio Armani or Donatella Versace make even halfway decent movies? How about Tommy Hilfiger? Pierre Cardin? Karl Lagerfeld? Tommy Bahama? Diana Old Navy? Pasquale De Gap? Can any of these fashion trend setting and/or clothes selling behemoths make anything visually accomplished outside of 30-second television commercials and various styles of outerwear? Because this guy Tom Ford decided he could and in 2009 made his own little movie called “A Single Man,” and guess what? It’s a little better than halfway decent, that’s for sure.Continue Reading …

#123 – Drewster Cogburn Vs The Earth

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In episode 123, Chris Crespo and Drewster Cogburn are joined by Curtis Earth from The Curtis Earth Show and Earth Trivia!

Chris and Drew review Mad Max: Fury Road.

Also discussed:

Twin Peaks is definitely coming back, big movie news out of Cannes, Disney to make Star Wars and Marvel television channels and an Indiana Jones themes bar/restaurant, Samuel L. Jackson to star in the latest remake of The Blob, and so much more!

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Review: ‘Mad Max: Fury Road’

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“Mad Max: Fury Road” is the big budget action blockbuster that puts all the others to shame. Whereas so many big summer movies have devolved into convoluted and uninteresting stories wrapped up in a shit-sheen of hyper editing and shaky camerawork that reach bladder-busting lengths of time, here we have the antithesis – a wonderfully simple script, incredible and eye catching action scenes, and a sense of vitality that has been apparently missing from movies for the last decade-plus.

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