Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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#126 – The Brotacular Now

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In episode 126, Chris Crespo and Drewster Cogburn review Entourage and Chris also reviews Spy.

Also discussed in this episode:

the origins of Jurassic World, the Internet Archive digitizing 40,000 VHS tapes, Big Trouble in Little China remake, James Wan directing Aquaman, a stand alone Showtime streaming service is coming in July, Jason Statham may do a Marvel show, Nicolas Winding Refn’s next project, and so much more!

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Bonus Episode – Best Of Cinema Crespodiso

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In this BONUS episode, Chris Crespo and Drewster Cogburn present five memorable moments from the Crespodiso back catalog, which features:

Soul Brother Kevin from The SBK Live Show.

Tom the Beer Guy from Orange Blossom Brewing.

Carl Verna the Video Burner.

DJ Baby Lac.

Curtis Earth.

Matt from The SBK Live Show.

Enjoy!

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Review: ‘Aloha’

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“Aloha” is a movie that is not very good at all, mostly because it can’t decide it if wants to be a story about a disgraced military contractor moving on from past mistakes, or about a guy reconnecting with an old love and coming to terms with their new lives, or about a guy meeting a gal and how they fall in love with each other, or about the militarization and annexation of Hawaii by the U.S. government, or the appreciation of Hawaiian culture and how the “white man” keeps tearing it down by making promises to the locals and then betraying them, or about coming to terms with being a parent, or about the U.S. military engaging in private contracts with multi-billionaires. This all combined somehow into one movie and made for a mess of a picture.

“Aloha” starts with Brian Gilcrest (Bradley Cooper) arriving in Hawaii, where he sees some people he hasn’t seen in years, namely before he totally sold his soul to be a contractor facilitating arms deals in the Middle East (or something like that). He sees old flame Tracy (Rachel McAdams) and meets her children for the first time, which includes a 12 year old daughter who happened to come in to this world less than a year after Brian and Tracy broke up. Hmmm, I wonder if this will come back around in some way (of course it does, it is telegraphed from the opening). Brian puts on the puppy eyes and sort of tries to get back in with Tracy, though romantic overtures don’t seem to be what he’s really after, especially since he’s kinda buddy-buddy with Tracy’s current husband Woody (John Krasinski).Continue Reading …

Netflix pick for 6/1/15 – ‘The Act of Killing’

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“The Act of Killing” is a fascinating documentary about some Indonesian gangsters in Jakarta who were hired in the 1960’s to form death squads, rolling through the country killing anyone and everyone under the guise of rounding up communists, and how these gangsters all these years later are in control of the country and think what they did was the proper thing to do. They agree to participate in making this movie thinking it would be an exultation of their exploits, when in reality it makes them look at their past deeds with an unflinching eye, forcing them to face the horrors they perpetuated in the name of their government overlords.Continue Reading …

#125 – Kung Furry

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In episode 125, Chris Crespo and Drewster Cogburn review Aloha and Chris reviews San Andreas.

Also discussed in this episode:

Kung Fury, Harbinger Down, Big Hero 6, The Two Faces of January, Rick Baker retires, The Legend of Conan, Tilda Swinton in Dr. Strange, Tron 3 cancelled, plus much more!

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Review: ‘San Andreas’

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Dwayne Johnson should be the world’s biggest action star right now. Why he isn’t, I have no idea. Why can’t he can’t into better projects that feature him? Because when he gets inserted into something like a “Fast & Furious” movie or a “G.I. Joe” sequel, or even as a sidekick in a Michael Bay-Mark Walhberg movie, he is easily the best part of those films, whether they are good or bad. But then we have something like “San Andreas.” When he gets the chance to be the lead, it is almost always in a movie that is just not good, no matter how much charisma he pumps into it. Like “Hercules,” we have Mr. Johnson bringing his A-game to a movie that just doesn’t work out, for a myriad of reasons.

In “San Andreas,” Ray (Dwayne Johnson) is dealing with the recent separation and impending divorce from his wife whom he still clearly loves Emma (Carla Gugino), and it’s one of those separations that seem to be as amiable as it gets. Emma has a new super rich architect boyfriend named Daniel (Ioan Gruffudd) which does make things a little awkward. And in the middle of all this is Ray and Emma’s college age daughter Blake (Alexandra Daddario). And when the movie starts, despite Ray having to break plans with his daughter because of work related stuff and despite the divorce, all of these people get along pretty great. Whereas other movies would use this to make Ray seem like a workaholic and his family resentful of it, Blake is super understanding of her dad’s job. And when Ray and Emma have a little tiff over her plans to move in with Daniel, Ray gets in touch with Emma the very next day and apologizes and she accepts it and it is all hunky-dory. And when it seems like Daniel would be trying to move in as “new dad” and possibly have a hard time relating to Blake, he turns out to be kind and thoughtful, and he’s all like “I’m not here to replace your dad or what you have with him, I just wanna be like cool and stuff,” and Blake is all smiles and she’s like “hey thanks man I really appreciate that.”Continue Reading …

Crespodiso Film School – Summer Blockbusters

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In this BONUS episode, Chris Crespo and Drewster Cogburn go over the history of the summer blockbuster – how it started, how it evolved, and how it changed the movie industry as we know it today.

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Review: ‘Tomorrowland’

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“Tomorrowland” arrived with much promise – a wholly original sci-fi film starring George Clooney and more importantly developed by a wondrous filmmaker by the name of Brad Bird, he of “The Iron Giant” and “The Incredibles” fame. His second live-action film after the hugely entertaining “Mission: Impossible – Ghost Protocol,” this was supposed to be the antithesis to the same old, same old, an antidote to the parade of boring installments of mega franchises that regularly populate the multiplexes this time of year (and now seemingly year round). Tired of comic book movies and film adaptations of old television shows and remakes of movies that were perfectly fine to begin with? Then “Tomorrowland” is supposed to be your answer. So why did it just land with the most resounding of thuds?

“Tomorrowland” is the story of Casey Newton (Britt Robertson), who lives in Cape Canaveral, Florida, and is trying her best to fight against the dismantling of the space program which employed her father for many years and which inspired her long ago to look up at a starry night with wonder. This determination and hopeless optimism gets her on the short list of people who are granted access to Tomorrowland, a sort of alternate dimension place designed by geniuses and meant for society’s best and brightest, a place for them to experiment and develop their radical ideas and attempt to make the world a better place. She spends a short amount of time in Tomorrowland, which looks mostly like The Airport of The Future, and then spends most of the rest of the movie trying to get back there. In order to get back, she is introduced to Frank (George Clooney), who was a citizen of Tomorrowland when it was first conceived, but found himself excommunicated from the place for reasons not made entirely clear outside of “ideological differences.” Frank is a total grump, but he reluctantly agrees to help Casey go back to Tomorrowland in an attempt to “save the world.”Continue Reading …

Netflix pick for 5/26/15 – ‘Hot Fuzz’

MV5BMTIxODg2NDU1MF5BMl5BanBnXkFtZTcwOTc3MDM0MQ@@._V1_SX640_SY720_“Hot Fuzz” from 2007 is the second of three genre-based films from the team of Edgar Wright, Simon Pegg and Nick Frost. Following their zombie romantic comedy “Shaun of the Dead” and preceding their ode to “Invasion of the Body Snatchers” and growing into adulthood in the form of “The World’s End,” here we have their paean to the absurdity that is American action filmmaking, and it is a pretty glorious thing to behold.

Very specifically citing “Point Break” and “Bad Boys II,” “Hot Fuzz” is the story of a hot shot cop in London who keeps upstaging his coworkers, so he finds himself being transferred to a sleepy little village out in the middle of nowhere, designed to get him out of the way and let him waste away somewhere in which the biggest crime is teenage loitering. But since he IS a super cop, Nicholas Angel (Pegg) uncovers a conspiracy within this town and sets to right the wrongs done illicitly right under everyone’s noses.

This movie has the signature hyperactive presentation that Wright has become known for, along with a proper story about a couple of guys learning to get along with each other that provides a nice emotional underpinning for all the violent shenanigans that happen around them. “Hot Fuzz” is an absolutely wonderful and fun movie and one which action film fans should be able to appreciate for many reasons.Continue Reading …

#124 – In Real Life

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In episode 124, Chris Crespo and Drewster Cogburn review Tomorrowland and Poltergeist.

Also discussed in this episode:

Phil Lord on The Flash and animated Spider-Man movies, Batman vs Superman villain rumors, sequels for World War Z, Jack Reacher, Blade Runner and Now You See Me, Magnificent Seven remake casting news, what is Todd Phillips’ next movie, Hannibal season 3 on TV and a Bill Murray Christmas Netflix special. Plus so much more!

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