Cinema Crespodiso

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Review: ‘Dope’

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“Dope” has a common and basic skeleton of a story that should be instantly familiar to just about everyone. We’ve all heard stories and read books and seen movies and TV shows about a “good” person stuck in a bad situation, who usually has to resort to something they normally wouldn’t do in order to survive. Whether its a kid growing up in a bad neighborhood or a person working for a shady company or a person stuck with their shitty family, this is a go-to story because it is quite common and often relatable. What sets “Dope” apart is the specifics, the details, the little things that all add up to give this particular movie its own identity.

“Dope” centers on Malcolm (Shameik Moore), a high school senior living in a stereotypically rough Los Angeles neighborhood, where he spends most of his time with his single mom and his two best friends, and with the latter he has a pop-punk kind of band, and they also spend a lot of time delving into 1990’s hip-hop culture, lamenting that this was the golden age of rap music (though the movie doesn’t state it, I bet Malcolm is not a Young Thug fan). After a long set up establishing who Malcolm is and what his normal day-to-day plight is like, we gets himself invited to a club for a local drug dealer’s birthday party which turns into a shoot out which turns into Malcolm unwittingly making off with a couple of bricks of powdered MDMA and a gun. He (and his two friends) then find themselves having to sell the drugs for a local drug dealing big shot so that Malcolm can get a solid recommendation for his Harvard application (long story), and also so they don’t die.Continue Reading …

Review: ‘Inside Out’

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“Inside Out” is another one of those “it’s for the kids but it’s REALLY for the parents” kind of animated movies, you know, the ones Pixar has excelled at for about two decades or so, the movies that are cute, brightly colored and imaginative in a way that sucks in the young ones and holds their attention, but traffic in ideas that are decidedly the stuff of adults, requiring some life experience and perspective for the themes to really resonate, which rest assured they do. Want to take the kids to a movie about the imminent end of their childhoods? Then “Inside Out” is for you! That’s what I’d put on the poster anyway.

In “Inside Out,” 11-year old Riley moves with her Mom and Dad (because where else is she gonna go?) from somewhere in Minnesota to San Francisco. The move is due to Dad getting involved in some fledgling tech business, with Mom and Riley dutifully coming along, and this all has some negative effects on Riley, who has trouble adjusting to her new surroundings. A pretty dull set up, as far as plots go. But while this story plays out, a majority of the movie takes places inside Riley’s brain; the emotions of Joy, Sadness, Anger, Disgust and Fear are personified as five little characters that “work” inside Riley’s head, looking through her eyes like a giant viewscreen and collecting and collating her memories around the clock and storing them in the right places, with Joy leading the charge, doing her best to ensure that Riley is having a happy life.Continue Reading …

Review: ‘Jurassic World’

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No one really asked for it, yet here it is, “Jurassic World,” the fourth installment of the dinosaur-centric film franchise famously started by Steven Spielberg in the early 1990’s, based on a best selling book by popular novelist cum film maker Michael Crichton. Are you okay with more rampaging dinosaurs and scared kids running for their lives and only half-lively banter between a pair of normally very likable leads? Then we got the movie for you.

“Jurassic World” starts with a pair of brothers, high school aged Zach (Nick Robinson) and younger wide-eyed Gray (Ty Simpkins) getting sent off to a fully functioning “Jurassic World,” the official name of the theme peak carrying out the dreams and ideals of its founder and featuring a couple dozen dino species in the forms of different rides and exhibits, and the reason they can apparently go is because their aunt Claire (Bryce Dallas Howard) works there as the theme park operations manager. And Claire does the movie-typical thing of letting work come first so she offloads the kids to some assistant so she can conduct some business while the kids check out the park. For no apparent reason they ditch their chaperone and check out some rides on their own.

In the meantime, a giant genetically modified and improperly raised dino-monster escapes from its enclosure and makes its way to the park. Bad timing.Continue Reading …

Review: ‘Spy’

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Melissa McCarthy and Paul Feig killed it with “Bridesmaids,” and they even made some of that sweet cash money with the not-as-good “The Heat” (a movie that I didn’t dislike but felt could have been developed more beyond it’s initial premise), and here they are with “Spy,” their third go-around together in the form of a spy movie spoof. And let me tell you, as unpromising as “Melissa McCarthy spy movie spoof” sounds, this thing actually works damn well on a few levels and may be the biggest surprise of the summer for me.

“Spy” is about Susan Cooper (McCarthy), a CIA Agent who works at the headquarters as a desk jockey, talking to a field agent through an ear piece and providing important and life saving information during each mission. The agent she has been working with is Bradley Fine (Jude Law), a total James Bond type of spy, and they work really well together and she also obviously loves the guy very much. So when a mission goes wrong and he is killed by a wanna be nuclear weapons dealer named Rayna (Rose Byrne) and it turns out that Rayna knows the identities of all of their field agents, Susan volunteers to go into the field for the first time on a simple “search & report” mission. And of COURSE she gets in way too deep and does much more than just report, as she feels she can stop Rayna and the nuclear weapon deal herself.Continue Reading …

Review: ‘Entourage’

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Do you have to be a fan of the original “Entourage” HBO television series in order to enjoy the “Entourage” movie? Yeah most likely, or else you won’t understand who these characters are or why they do what they do. But will being a fan of the show guarantee that you will like the movie version? That depends on how low you set your bar for cinematic expectations. Because “Entourage” the movie is just an overly long, low stakes, lightweight episodic installment of the first world problems of people who are absurdly rich and hugely successful already.

In the television show, we started out with movie star to be Vincent Chase (Adrian Grenier) and his “entourage” of friends and they started out at the bottom, with minimal credits and experience and a long shot at “making it.” Over the course of eight seasons, they clawed their way to the top, and along with Vince’s agent Ari Gold (Jeremy Piven), they all became hugely successful one way or another, got what they wanted, and ended the show on top of their respective worlds. Vince is a huge movie star and gets married, his best friend and manager Eric (Kevin Connolly) has a successful agency, his brother Johnny Drama (Kevin Dillon) followed up two runs on successful shows with yet another successful show, Vince’s driver Turtle (Jerry Ferrara) has become a tequila millionaire, and Vince’s agent Ari has enough money to retire in Italy with his wife.Continue Reading …

Review: ‘Aloha’

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“Aloha” is a movie that is not very good at all, mostly because it can’t decide it if wants to be a story about a disgraced military contractor moving on from past mistakes, or about a guy reconnecting with an old love and coming to terms with their new lives, or about a guy meeting a gal and how they fall in love with each other, or about the militarization and annexation of Hawaii by the U.S. government, or the appreciation of Hawaiian culture and how the “white man” keeps tearing it down by making promises to the locals and then betraying them, or about coming to terms with being a parent, or about the U.S. military engaging in private contracts with multi-billionaires. This all combined somehow into one movie and made for a mess of a picture.

“Aloha” starts with Brian Gilcrest (Bradley Cooper) arriving in Hawaii, where he sees some people he hasn’t seen in years, namely before he totally sold his soul to be a contractor facilitating arms deals in the Middle East (or something like that). He sees old flame Tracy (Rachel McAdams) and meets her children for the first time, which includes a 12 year old daughter who happened to come in to this world less than a year after Brian and Tracy broke up. Hmmm, I wonder if this will come back around in some way (of course it does, it is telegraphed from the opening). Brian puts on the puppy eyes and sort of tries to get back in with Tracy, though romantic overtures don’t seem to be what he’s really after, especially since he’s kinda buddy-buddy with Tracy’s current husband Woody (John Krasinski).Continue Reading …

Review: ‘San Andreas’

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Dwayne Johnson should be the world’s biggest action star right now. Why he isn’t, I have no idea. Why can’t he can’t into better projects that feature him? Because when he gets inserted into something like a “Fast & Furious” movie or a “G.I. Joe” sequel, or even as a sidekick in a Michael Bay-Mark Walhberg movie, he is easily the best part of those films, whether they are good or bad. But then we have something like “San Andreas.” When he gets the chance to be the lead, it is almost always in a movie that is just not good, no matter how much charisma he pumps into it. Like “Hercules,” we have Mr. Johnson bringing his A-game to a movie that just doesn’t work out, for a myriad of reasons.

In “San Andreas,” Ray (Dwayne Johnson) is dealing with the recent separation and impending divorce from his wife whom he still clearly loves Emma (Carla Gugino), and it’s one of those separations that seem to be as amiable as it gets. Emma has a new super rich architect boyfriend named Daniel (Ioan Gruffudd) which does make things a little awkward. And in the middle of all this is Ray and Emma’s college age daughter Blake (Alexandra Daddario). And when the movie starts, despite Ray having to break plans with his daughter because of work related stuff and despite the divorce, all of these people get along pretty great. Whereas other movies would use this to make Ray seem like a workaholic and his family resentful of it, Blake is super understanding of her dad’s job. And when Ray and Emma have a little tiff over her plans to move in with Daniel, Ray gets in touch with Emma the very next day and apologizes and she accepts it and it is all hunky-dory. And when it seems like Daniel would be trying to move in as “new dad” and possibly have a hard time relating to Blake, he turns out to be kind and thoughtful, and he’s all like “I’m not here to replace your dad or what you have with him, I just wanna be like cool and stuff,” and Blake is all smiles and she’s like “hey thanks man I really appreciate that.”Continue Reading …

Review: ‘Tomorrowland’

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“Tomorrowland” arrived with much promise – a wholly original sci-fi film starring George Clooney and more importantly developed by a wondrous filmmaker by the name of Brad Bird, he of “The Iron Giant” and “The Incredibles” fame. His second live-action film after the hugely entertaining “Mission: Impossible – Ghost Protocol,” this was supposed to be the antithesis to the same old, same old, an antidote to the parade of boring installments of mega franchises that regularly populate the multiplexes this time of year (and now seemingly year round). Tired of comic book movies and film adaptations of old television shows and remakes of movies that were perfectly fine to begin with? Then “Tomorrowland” is supposed to be your answer. So why did it just land with the most resounding of thuds?

“Tomorrowland” is the story of Casey Newton (Britt Robertson), who lives in Cape Canaveral, Florida, and is trying her best to fight against the dismantling of the space program which employed her father for many years and which inspired her long ago to look up at a starry night with wonder. This determination and hopeless optimism gets her on the short list of people who are granted access to Tomorrowland, a sort of alternate dimension place designed by geniuses and meant for society’s best and brightest, a place for them to experiment and develop their radical ideas and attempt to make the world a better place. She spends a short amount of time in Tomorrowland, which looks mostly like The Airport of The Future, and then spends most of the rest of the movie trying to get back there. In order to get back, she is introduced to Frank (George Clooney), who was a citizen of Tomorrowland when it was first conceived, but found himself excommunicated from the place for reasons not made entirely clear outside of “ideological differences.” Frank is a total grump, but he reluctantly agrees to help Casey go back to Tomorrowland in an attempt to “save the world.”Continue Reading …

Review: ‘Mad Max: Fury Road’

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“Mad Max: Fury Road” is the big budget action blockbuster that puts all the others to shame. Whereas so many big summer movies have devolved into convoluted and uninteresting stories wrapped up in a shit-sheen of hyper editing and shaky camerawork that reach bladder-busting lengths of time, here we have the antithesis – a wonderfully simple script, incredible and eye catching action scenes, and a sense of vitality that has been apparently missing from movies for the last decade-plus.

Continue Reading …

Review: ‘Avengers: Age of Ultron’

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We’ve all seen the other Marvel movies right? We’re all up on our “Iron Mans” and our “Thors” and we’re all caught up on the continuing misadventures of Captain America? Because if not then why are you even bothering with this review of the sequel of the biggest comic book movie of all time? Okay, so we’re all on the same page, I am not going to pretend you don’t know the back stories and what not of all the characters, we’ll just jump right into this review of “Avengers: Age of Ultron” without all the unnecessary preamble.

And you know what, that is the same approach the movie itself takes. It starts in the middle of an action scene, with all the Avengers working together as a team to infiltrate some random compound to retrieve Loki’s scepter (introduced in prior Marvel movies). When they do, Tony Stark (Robert Downey Jr.) decides he’s going all Cyberdyne on everyone and he uses the power in the scepter to create an artificial intelligence system designed to protect all of Earth and humanity.

But when this program, called Ultron (James Spader, being as James Spader-y as possible), comes online, it immediately decides that in order to fulfill his peacekeeping mission, he must destroy all of humanity so that the next phase of evolution can begin. With the help of a pair of “enhanced humans” (don’t you DARE call them mutants!), Ultron sets out to destroy the world, while the Avengers have to figure out how to stop him.Continue Reading …

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