Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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Review: ‘Abduction’

Abduction_PosterA young aspiring action star turns to a director of usually solid b-movies to help launch his karate-based, abs-and-chest-at-the-forefront career as this generation’s Jean Claude Van Damme. The result is a lousy mess of a movie with bland action, bad acting and a boring story, with the aspiring actor’s future looking a little grim.

This actor, of course, is Twilight’s Taylor Lautner, and the silver screen has not seen such an inept dramatic performer is quite a long while. He has all the charisma of a deadly black hole, reads his lines with the inflection of a robot, and makes the aforementioned Van Damme look like Daniel Day-Lewis. Meanwhile, director John Singleton burst onto the Hollywood scene with the excellent Boyz n the Hood, and while he hasn’t made anything as good as his first film, he still has a resume loaded with entertaining and well done movies. So what went wrong? What happened in his recent six-year hiatus that made him go from the perfectly fine and entertaining “Four Brothers” to this abysmal piece of malarkey?Continue Reading …

Review: ’50/50′

50-50-posterOn the list of phrases you are not likely to hear on an average Friday or Saturday night, “Let’s go see that cancer comedy” has to be pretty close to the top. That is hard sell for many people, considering how serious cancer is and how nearly everyone has been affected one way or another by cancer. It’s not a topic that people want to ruminate on for a couple hours of entertainment. Why would anyone even want to see such a film?

Well maybe because it’s actually very well done and strikes an interesting balance between R-rated comedy and sincere drama, sometimes switching between the two very quickly and with surprising ease. This is “50/50,” the cancer comedy you never knew you wanted, but it is here and it is very good.

Adam (Joseph Gordon-Levitt) is 27 years old, works in radio, has his own place, works out regularly, and avoids driving because it is the fifth likeliest way to die. He’s a very nice guy and even puts up with the shenanigans of his hot but strangely distant girlfriend (Bryce Dallas Howard), the douchiness of his otherwise best friend Kyle (Seth Rogen), and the smothering of his overbearing but well-meaning mother (Anjelica Huston). So when he finds out that he has a rare spinal cancer, he’s definitely thrown for a loop. He’s a young, healthy guy with no vices, why would he ever expect to get cancer? But alas, that’s how it happens sometimes, and it happens to him, and he has to deal with it.Continue Reading …

Review: ‘Cowboys & Aliens’

cowboys-and-aliens-international-movie-posterJust look at that title – “Cowboys & Aliens.” Going into this movie, everyone knew it would be a tough one to pull off. The mixing of the very grounded and dusty Western genre with the fantastic, more imaginative aspects of science fiction writing doesn’t make for a smooth pairing. Some massaging and elbow grease has to be used to make these two genres come together in an entertaining and coherent fashion. And while “Cowboys & Aliens” does come close to nailing this concept, it does fall short, and probably would have been much better without the aliens at all.

The set up is simple. The movie opens in the middle of the desert, in which a gunslinger with amnesia (Daniel Craig) wakes up injured and wanders into the nearest town. When he gets there, he finds out that he’s a stagecoach robber and murderer and the law takes him in. But before he can be processed, here comes an alien invasion, blowing up the town and lassoing away people from the streets and into their little aircrafts. So our amnesiac stagecoach robbing gunfighter hero teams up with the local dickhead cattle baron Woodrow Dolarhyde (Harrison Ford) to form a posse and track down the aliens in an effort to save the people that were kidnapped. Oh, and Daniel Craig has some sort of ridiculous alien wrist gun the whole time.Continue Reading …

Review: ‘Bad Teacher’

bad_teacherThere are two types of crude humor usually employed in R-rated comedies these days. There’s the disgusting gross out humor, you know, the poopy-related stuff usually found in your typical Farrelly brothers film or any number of urine or toilet based Austin Powers gags. And then there’s the more sex-based crude humor, which involves jokes about oral sex and saying “tits” a lot, and the latter is where “Bad Teacher” traffics. What happens when you take a person pretty much unqualified to teach and put them in a room full of kids? Well, hilarity, for the most part.

In “Bad Teacher” we have Cameron Diaz going back to her comedy roots (lest we forget her star making roles in “The Mask” and “There’s Something About Mary“) and playing Elizabeth Halsey, a gold digger who took a teaching job only so she could skate by and focus on planning her wedding with her well off fiancé instead. But when the wedding falls through, she finds herself stuck in the school, struggling to get by and on the search for another wealthy guy to “take care of her.”Continue Reading …

Review: ‘A Better Life’

ABetterLife_PosterIt is said that there are seven basic types of stories, and all movies (and books and short films, etc.) are comprised of any mixture of these story types; basically, there’s nothing new under the sun, and we’ve seen it all before. When someone sets out to tell a strong yet simple tale, it is easy to recall all of the other similar stories we’ve already seen and heard. So what can be done to overcome this inherent problem in the millennia-old tradition of storytelling? How can a story set itself apart from the myriad of similar stories that have come before it?

How about with some confident direction and strong writing? Sounds easy enough right? But if it was easy, how come we don’t have more good movies? Movies like “A Better Life,” which tells the story of an illegal immigrant named Carlos (Demián Bichir, Che) who is raising a teenaged son all by himself in Los Angeles, and his story is one of struggle, that’s for sure. This guy just keeps his head down and works his landscaping job, but the incredibly long hours keep him from being able to do anything with his son Luis (José Julián), who is getting his life lessons from the local thugs and street gangs and is on the verge of joining up with them himself.Continue Reading …

Review: ‘Jason Bourne’

JasonBourne_MoviePoster“Jason Bourne” brings back Jason Bourne, the American anti-Bond, the 21st century of a spy movie hero, broken by the Powers That Be and constantly seeking answers in a dark and murky world of dubious morals and ethics, fighting not against foreign enemies but instead against the system that birthed him, dissatisfied with what he has become, with a need to blame someone and his aim always shifting to different targets until he finds what he’s looking for. Which of course leads to more questions. And then more searching. Almost as if…it will just go on forever? Meaninglessly?

When “The Bourne Ultimatum” ended back in 2007, it felt like a solid wrap up for the story of regular guy turned incredible super agent Jason Bourne (Matt Damon), as he got most of his answers he was looking for and then escaped the system with his life, his future unknown but at least free in a way of what these shady government programs made him. And yet almost ten years later Jason Bourne is back on movie screens, this time because “there’s a new program” that he apparently needs to be made aware of, and there is also a link to his father in these spy programs, and I am pretty sure in four movies this is the first time his parents are mentioned in any way, shape or form, so of course it feels contrived and kind of hacky.Continue Reading …

Review: ‘Star Trek Beyond’

star-trek-beyond-movie-poster“Star Trek Beyond” is the third Star Trek movie with this particular iteration of the original crew of the USS Enterprise (quite possibly one of the most famous fake vehicles ever), which started with the 2009 reboot “Star Trek,” a reimagining of these iconic characters as younger and less experiences, embarking on their first missions, tested immediately by evil space forces of various sorts, bringing them closer together as a crew, etc. etc., you know the drill. If you aren’t on board with these movies by now, this one is not likely to change your mind.

On the flip side, if you do like these movies, you’ll likely really dig this newest installment because it is simultaneously a fun movie while also having some big stakes and featuring a villain, despite being a bad guy, still makes some sense when he discusses his reasoning for his actions. There are jokes, action scenes, a bit of a plot twist, and it all looks pretty, which all comes together to make for a fine piece of summer entertainment.Continue Reading …

Review: ‘The Infiltrator’

TheInfiltrator_MoviePoster“The Infiltrator” is based on the true story of the US Customs official who helped take down a huge money laundering syndicate in the 1980s by going undercover and tracking all the Colombian drug money back and forth between Colombia and America via complicit banks set up both abroad and in America. While going undercover, though, this fella maybe starts to lose sight a little of who his friends really are and also seems to enjoy being this fake mob-associated kind of guy and also it is destroying his marriage and also he’s in a lot of danger because he got in over his head a little. But while that may seem like a lot to throw into a movie that is barely over two hours long, rest assured, it IS a lot, too much in fact, so that while this movie tries to be about a lot of things, it ends up being about nothing.

Robert Mazur (Bryan Cranston) has been going undercover for years and he’s tired of making so little progress in the war on drugs, so he convinces his bosses to allow him to take a different approach, one that we’ve all heard before in many contexts, which is to “follow the money.” By getting his foot in the door with Pablo Escobar’s people by presenting himself as a big time money launderer, he’s hoping to amass the evidence needed to find out what they do with their money, who it goes to, and how it gets back to them “clean.” He doesn’t get along with his partner Abreu (John Leguizamo) but that is an issue for all of one scene early on in the film and then they work together with no problems for the rest of the movie. So most of “The Infiltrator” is Mazur pretending to be some made up guy named Bob Musella, and he uses this alias to embed himself with the drug cartel, starting out low on their totem pole and slowly working his way up to their bigger bosses. Along the way, Mazur and Abreu are forced to involve an agent going undercover for her first time, Kathy Ertz (Diane Kruger), and the three of them work together to try to bust as many people at one time as possible.Continue Reading …

Review: ‘Ghostbusters’

Ghostbusters_MoviePoster“Ghostbusters” is the story of a trio of scientists with expertise in the paranormal and how they opened a company in New York City in order to investigate a series of ghost sightings and supernatural activities. As they develop their tech and grow closer as a group, they find themselves at odds with the city and federal government who want them to stay out of public view and not cause a panic, which becomes difficult for this new team as they find themselves facing bigger and bigger threats, until finally it all comes to a head when they have to engage in a very public battle against a gigantic, building-sized foe determined to destroy the city and everyone in it.

Yup, that’s the plot for both the original 1984 movie and this new “Ghostbusters.” The details, however, all the little things that connect these big plot points are all very different. These are different characters with their own sets of problems, and the way these ghosts are summoned and the nature of these ghosts and what they do is all very different, and even the bickering between the city officials and the team takes on a different tenor, as this NYC mayor and his employees are much more media savvy. It is completely the same but also totally different and in a good way, making for an experience that is alternately classic and surprising. That doesn’t mean this movie couldn’t have been better, but it also works on its own terms in a pretty endearing way.Continue Reading …

Review: ‘The Purge: Election Year’

the-purge-election-year-movie-poster“The Purge: Election Year” is the capper to the trilogy no one saw coming, the third film in a series written and directed by James DeMonaco, and if you’ve been following along since the first movie, then you will be a little surprised to see the scope of this world opened up even more, and now a rather complete picture has been painted in a very visceral manner, with the thematic elements of class warfare and wealth inequality become the driving force behind an insane premise for a movie, let alone three of them.

The basic premise was barely laid out in the first movie, in which Ethan Hawke played a guy who installed security systems in the homes of people who could afford to barricade themselves up during Purge Night, the one night of the year in which all crime is legal for 12 hours, in an effort to let people “get it out of their systems” so that they would be cool to each other for the other 8,748 hours of the years. His character quickly discovered even his family wasn’t safe, as a bunch of psychopaths broke into their home and terrorized them all. The second movie drops this character and picks up with a new guy, who was going to use Purge Night to kill the guy who DUI-manslaughtered his son, but instead wound up saving people out on the streets and not going through with the murder. In this second movie, it is explained that people suspect the Purge was a tool by the government to eliminate the impoverished portions of their constituency. Continue Reading …

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