Netflix pick for 8/24/15 – ‘Joe’

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From 2013, “Joe” is the story of a man learning how to love again. But not in that way. In a more general, “oh yeah, there are feelings other than anger” kind of way. This man is Joe, and his portrayed by Nicolas Cage, and in this instance, this is a good thing.

A tale of broken families and downtrodden people, raging against their small, tumultuous worlds, where only the youthful have even a chance of getting out if only because they have still have some time. But it’ll run out soon enough. It always does.Continue Reading …

#137 – Someone’s Gotta Do It

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In episode 137, Chris Crespo and Drewster Cogburn review American Ultra and Chris also reviews Hitman: Agent 47.

Also discussed in this episode:

Billy D reviews several television shows like Mr. Robot and Review.

Dr. Drew gives his two cents on being done with movie trailers.

The Netflix Instant Pick of the Week is David Gordon Green’s “Joe.”

Disney making Star Wars and Toy Story theme parks.Continue Reading …

Review: ‘Hitman: Agent 47’

HitmanAgent47_PosterFrom “Super Mario Bros” to “Need For Speed,” we have been inundated with dozens upon dozens of video game movie adaptations for years, and if there is one thing that everyone can pretty much agree on, that thing is the fact that all of these movies range in quality from bad to worse to The Worst. There is no such thing as a “good” video game movie. Fun fact: “Prince of Persia: The Sands of Time” currently holds the highest Rotten Tomato score of any video game movie, and it is sitting at a lofty and seemingly insurmountable 36%. But surely here to save the day and reverse this trend is the latest entrant into this woe begotten genre of cinema, “Hitman: Agent 47,” and it couldn’t be that bad, could it?

Of course it can.Continue Reading …

Review: ‘The Man From U.N.C.L.E.’

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Based on a popular television show from the 1960’s featuring spies doing cool stuff with nifty gadgets, teaming up to overcome a shady global terrorist organization, action mixed with comedy, and sex appeal galore, audiences this summer have been treated to the well made spectacle known as “Mission: Impossible – Rogue Nation.”

We also got “The Man From U.N.C.L.E.”

To be fair, “The Man From U.N.C.L.E.” is not a bad movie at all, as it is actually quite an entertaining and fairly breezy romp. The preposterously named Napoleon Solo (Henry Cavill) is a CIA agent who is forced to team up with a Soviet KGB agent named Illya Kuryakin (Armie Hammer), and they are tasked with finding a kidnapped Nazi scientist who is likely helping someone create the world’s first nuclear bomb.

To get to him, they use his estranged daughter Gabby (Alicia Vikander) to try to track him down, and they get all wrapped in a big ole plot involving an Italian heiress and a fake engagement and faulty torture equipment and an old fishing boat, the whole time with the two agents trying to one up each other and also with Illya and Gabby maybe sort of falling for each other along the way.Continue Reading …

Netflix pick for 8/17/15 – ‘The Wolf of Wall Street’

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“The Wolf of Wall Street” is a wild movie, maybe one of Scorsese’s most over the top and insane in terms of style and story. DiCaprio plays Jordan Belfort, a Wall Street douche of the highest order, a financial villain, just one of the lousiest people ever, a man who had no problem with stealing from as many people as possible just so he could pay for his own over the top lifestyle, and he’s just pretty much the worst person. So why would you want to watch a whole movie about this guy? Because it was made by Martin Scorsese! That should be reason enough! But also the fact that it is a great movie should get you to queue this up right away.Continue Reading …

#136 – Feel The Bern

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In episode 136, Chris Crespo and Drewster Cogburn are joined by returning guest Soul Brother Kevin from The SBK Live Show (please go to KidneyForKevin.com)! They all review Straight Outta Compton and Chris also reviews The Man From U.N.C.L.E. and The Wolfpack.

Also discussed: Godzilla 2, the Training Day TV show, will they ever remake Daylight, Kevin might go back and check out Deadwood, who is Lego Joker, a Baywatch movie is happening, and more! Plus new segments of Billy D’s Death at the Movies, the Vox Populi, Netflix Instant Pick of the Week, Dr. Drew’s 2 Cents, and Kevin decides between swag or the box.

Enjoy the show!Continue Reading …

Review: ‘Straight Outta Compton’

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“Straight Outta Compton” is the kind of movie that manages to serve multiple purposes. On the surface it is a normal biopic, the stereotypical rise and fall (and sometimes rise again) story of a musician or group of musicians, but it also gets into deeper societal issues that unfortunately still resonate today. Racial tensions, unfair policing, government censorship, the power of The Truth, it is all here in this tale of a group of rappers who tapped into a raw nerve in this country and became one of the biggest things going on in all of pop culture.

The opening scene of “Straight Outta Compton” is a grabber, as Eazy-E (Jason Mitchell) is involved in what appears to be a gun deal going south, and just as the tension becomes unbearable, here comes a fully militarized police squad knocking down the door of this drug house in the hood, and Eazy has to ghetto parkour his way out of that house before the police catch him, and as he gets away, the title card SLAMS on to the screen in huge letters, saying “Straight Outta Compton,” immediately telling you that this shit is serious.

This is what makes this movie really work because they take the time to really establish their neighborhood and the nature of their lives, the poverty, the struggle, the self doubt, the crime, this is all important to understand, so that when Dr. Dre (Corey Hawkins) and O’Shea “Ice Cube” Jackson (O’Shea Jackson Jr.) start talking about “reality rap,” we know what reality they are talking about. When we see them get harassed and almost arrested by the police foe the umpteenth time for literally standing while black, and then the very next scene is Ice Cube showing everyone his lyrics for “Fuck the Police,” we totally get why he would go that route, we all know what has compelled him to express himself in such a manner.Continue Reading …

Review: ‘The Wolfpack’

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“The Wolfpack” is a deeply fascinating documentary, a look at a family situation that is almost impossible to fathom, totally unbelievable if it weren’t for all the filmed evidence on display, a tiny social experiment gone awry, which resulted in a story that has to be seen to be believed. What happens when people are locked away from society for their whole lives? And what happens when those same people are taught about the world via thousands of movies? What does that do to someone? How does that change a person, make them in to what they are? And is that a good or bad thing? This is the essence of “The Wolfpack.”

The Angulo family lives in a four-bedroom apartment in a government housing building in the Lower East Side of Manhattan in New York City. And despite living deep in one of the liveliest and most vibrant cities in the world, the Angulos never left their home. The father Oscar was afraid to let his children and wife leave the apartment because he didn’t want anything bad to happen to them, so he obsessively locked everyone away in side the apartment, taking everyone out on only on supervised visits, and forbidding them to talk to anyone at all when they did manage to get outside. Some years would go by and the family would be lucky enough to get out of the apartment nine times, and once there was a year when the family didn’t make it outside at all. This is how Oscar Angulo raised his family, which consists of seven children, six of whom are brothers, all of them locked inside their small bit of public housing like a prison.Continue Reading …

Review: ‘The Gift’

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“The Gift” is the kind of movie people like to say don’t get made anymore, an original film aimed at the adults, not relying on gimmicks, tricks, huge budgets or some preexisting source material, but instead built on a tight, lean story about actual characters who are more complex than they initially seem. It has much more in common with Alfred Hitchcock than Michael Bay, in the best way possible. It takes the audience on a ride, building up to a pretty wild conclusion, never dumbing down or pandering but instead challenging and engaging, exactly the kind of film that works as a nice palate cleanser after a summer of huge blockbusters.

Simon (Jason Bateman) and Robyn (Rebecca Hall) move back to Simon’s hometown so he can work a new job, and shortly after coming back to town, Simon is seen and approached by Gordon (Joel Edgerton, who also wrote and directed), an old friend from high school. Gordon quickly latches on to Simon and Robyn, dropping by during the day to visit Robyn when Simon is at work and constantly dropping off gifts for them, going out of his way to be kind and giving, which Robyn doesn’t mind too much but Simon gets weirded out by. It becomes obvious that Gordon being back in Simon’s life is upsetting him, even though from the outside Gordon does seem to have the best of intentions. But we know this is a movie, and shit is gonna get intense and so it goes. Simon tries to break off the one-sided friendship with Gordon, and Gordon starts stalking and terrorizing them in small, impossible to prove ways.Continue Reading …

Review: ‘Fantastic Four’

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Okay, right off the bat, let’s address the elephant in the room, the fact that according to Rotten Tomatoes, “Fantastic Four” is the worst reviewed comic book movie of all time. OF ALL TIME. This movie is not liked by just about everybody. And I feel like I have to write about this movie with this framework in mind, because while I would never defend this movie as being “good,” there is no way it is as bad as people like to say it is. Quite simply, there are too many good ideas and interesting decisions made to simply write this off like it is some sort of Nic Cage January movie release about whether or not witches were real during the Crusades.

Reed Richards (Miles Teller) is a young scientist and inventor, who I believe in this movie is a senior in high school. That’s one thing in this film that can be chalked up to typical movie wonkiness, in that most of our main characters are played by actors in their late 20’s or early 30’s, yet are consistently referred to as “children.” So Reed and his buddy Ben (Jamie Bell) have worked together to figure out how to transport matter from point A to point B and then make it return back to point A. By doing this, they unknowingly found a way to rip a hole in the fabric of space-time and opened a portal into an alternate dimension to another world parallel to ours. This experiment gets them noticed by the Baxter Company, and they are recruited to help with a larger scale version of the same machine. Reed joins Sue Storm (Kate Mara) and her father Franklin (Reg E. Cathey) to make the experiment work, and they are joined by original project mastermind Victor Von Doom (Toby Kebbell) and Franklin’s son Johnny (Michael B. Jordan), who isn’t that smart seemingly (not like the others anyway) but is great with his hands and “can build anything.” In a manned experiment to the other dimension gone horribly wrong, everyone gets powers, Victor gets stranded, and shit generally hits the fan for the rest of the movie.Continue Reading …