Cinema Crespodiso

A weekly talk show hosted by film critic Christopher Crespo

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Netflix pick for 2/1/16 – ‘Nightcrawler’

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As heard on episode 160 of Cinema Crespodiso.

“Nightcrawler” is five-minutes-into-the-future satire, a look at our news media culture and what that machine entails, an indictment of the “blood and guts” mentality of selling newscasts to an ever fearful public, wrapped up in the guise of a darkly comedic noir thriller. Simultaneously gorgeous and ugly, funny and cruel, hopeful and horrified, this is like a modern day “Network,” but if Howard Beale was less an angry prophet of a god and more of a purveyor of socially acceptable smut.

Jake Gyllenhaal as Lou Bloom will go down as one of the creepiest, most disturbing and of course fascinating characters from this era of movies, an ugly antihero for an ugly world, he of singular purpose and such incredible drive and determination, put to such horrifying use. It pays to be soulless and self serving, this sayeth “Nightcrawler.”

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#160 – Candy For Satan

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In episode 160, Chris Crespo and Drewster Cogburn go it alone again as there is no guest, which is no problem.

Chris reviews Jane Got A Gun.

The Netflix Instant Pick of the Week is Nightcrawler.

The Crespodisco features two songs from the Streets of Fire soundtrack.

Dr. Drew gives his two cents on people sending an email to CinemaCrespodiso@gmail.com for free stickers.Continue Reading …

Netflix pick for 1/25/16 – ‘The Guest’

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As heard in episode 159 of Cinema Crespodiso.

“The Guest” has been around for a minute now, here is my initial review from October 2014, so we can be a little less spoilerphobic this time. But suffice to say, if you still haven’t seen this movie, just stop what you are doing and see it already.

Because this is a fun slasher movie meets an action film, a clever and surprisingly well done genre mash up, a story that posits “what if the unstoppable bad guy was actually a government trained killer gone rogue? What if Michael Myers was really Jason Bourne?”

The slasher stuff comes from the obvious love of John Carpenter movies evident throughout “The Guest,” from the top on down, from the font used for the credits and to the electronic score to the copious amounts of jack o lanterns littered throughout, this in many ways is an homage movie to the horror classics of the late 70s and 80s.  There is also a pretty chill soundtrack in terms of music picked out to play in the movie, lots of cool European industrial and rock, all of it used really well, it’ just dope.

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#159 – Limp Derivative Wriggle

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Episode159_LimpDerivativeWriggle

In episode 159, Chris Crespo and Drewster Cogburn review Anomalisa.

Billy D reviews POD.

The Netflix Instant Pick of the Week is The Guest.

The Crespodisco features two Carter Burwell songs, one from Anomalisa and one from The Man Who Wasn’t There.

Dr. Drew gives his two cents on the animated short film World of Tomorrow.Continue Reading …

Review: ‘Anomalisa’

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In some ways, “Anomalisa” is a startling movie, with surprises and ideas that pop up along the way that can easily catch a person off guard, especially if they don’t know what they are getting themselves into at the outset. If all you know is that this movie is an animated film from the guy who wrote “Being John Malkovich” and “Eternal Sunshine of the Spotless Mind” and also wrote and directed “Synecdoche, New York,” that’s enough, just see this thing as soon as you can, and then read about it afterwards. Let this story just unfold in front of you, because it does so in a very compelling way, and reading about it ahead of time would kind of spoil things.

“Anomalisa” takes place mostly during the course of a one-night stay at a hotel in Cincinnati, as Michael Stone (David Thewlis) is in town to speak at a conference centered on customer service. But from the opening scene on the incoming plane throughout the rest of the movie, people try to be nice and make small talk with Michael along the way but he’s very stand offish and just not having it, which makes every one of his social interactions awkward. He even fakes enthusiasm when talking to his annoying son on the telephone, obviously exasperated with the little demon child he has wrought upon the Earth.

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Review: ’13 Hours’

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The words subtlety and nuance do not come to mind when thinking of the movies of Michael Bay; on the contrary, he has a style so bombastically singular that it has become known as Bayhem, and the application of this style of filmmaking to certain topics seems, on the surface, ridiculous. A “Michael Bay war movie” is one of these instances, and it does not help that he already bungled a World War II movie, so when it was announced that he was making the 2012 Benghazi attack film “13 Hours,” it seemed like a bad call from the start.

And lo and behold it was a bad call, because “13 Hours” is the kind of movie that your racist uncle, who never served a day of military service in his life, will insist everyone else see because it tells “the truth” about what happened, a one-sided telling of a very intense night, a confirmation of a political bias that Michael Bay never intended, and that dumb uncle of yours will ignore the seven congressional investigations and thirty-two hearings and instead will hold this up as what really happened in that land which he couldn’t find on a map (here it is, next to Egypt).

And if you think that’s an exaggeration, check out these responses from some audience members at the premiere held at a football stadium with 30,000 attendees. Because America.Continue Reading …

Bonus Episode – 2016 Preview

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In this BONUS episode, Chris Crespo and Drewster Cogburn are joined by returning guest stand up comedian Pedro Lima (www.twitter.com/RicanGorilla), and the three of them take a look at the list of movies scheduled to be released in 2016, and they decide which ones sound dope, which sound terrible, and which ones they are looking forward to the most.

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Netflix pick for 1/18/16 – ‘Snowpiercer’

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“Snowpiercer” is a 2013 science fiction movie adapted from a graphic novel about a frozen world in which the entirety of Earth’s remaining human population lives on a single perpetual motion bullet train traversing the planet. It is a ridiculous and over the top set up, which means it makes for great sci-fi.

Captain America teams up with Patient Zero from “Alien” to lead a rebellion; the poor people who barely made it on to the train to begin with are all corralled into the back, with the train cars set aside for water production and imprisonment separate the poor in the back from the wealthy in the front cars, who are living a totally different lifestyle and existence, despite them all being on the same train, living so incredibly close to each other.

An obvious allegory for classism and inequal wealth distribution, this movie just has to set up the obvious reference and then go ahead with all the action scenes and science fiction-y stuf, without ever having to overtly preach about the differences between the Haves and the Have Nots (an age old problem with there ever was one).

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#158 – Darth Noodle Soup

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Episode158_DarthNoodleSoup

In episode 158, Chris Crespo and Drewster Cogburn are joined by first time guest, stand up comedian and podcaster extraordinaire Ross McCoy (www.twitter.com/ElRoss).

Chris and Drew review 13 Hours aka Bayghazi, and Ross gives his review of Star Wars: The Force Awakens.

Billy D reviews Mojave.

The Netflix Instant Pick of the Week is Snowpiercer.

The Crespodisco features random selections from the soundtracks for The Revenant and The Hateful Eight.

Dr. Drew’s 2 Cents are about using the cinematic doldrums of January to read more books, namely books and graphic novels that have been made into movies.Continue Reading …

The Best Movies of 2015 – 10 through 1

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2015 was an interesting year for movies, running the gamut from luscious period pieces, romantic dramas and comedies to over the top science fiction, post apocalyptic action and westerns involving Kurt Russell (which SHOULD be its own genre). It was a good year for raunchy comedies with sweet, emotional centers thanks to “Trainwreck,” “The Night Before” and “Grandma.” There’s been a few solid documentaries like “The Wolfpack” and “Red Army” and “Best of Enemies,” and a handful of really well made “real life” movies like “Bridge of Spies” and “Joy.”

 

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