After an initial viewing, it doesn’t appear that there is anything “wrong” with the newest movie from Pixar and Disney, “Finding Dory,” the sequel to the smash hit “Finding Nemo” that no one was really asking for, and yet here it is, and you know what? It is pretty damn good, which of course we should be expecting from these fine artists, who have now spent decades crafting finely made and expertly tuned feature length movies, many of which seemed ridiculous at the outset, only to end up being deeply moving and effective pieces of art. If this were coming from another studio, it would feel like a cash grab, but since this is from Pixar, it is more of a chance to revisit some beloved characters and introduce new ones and tell a solid story with some familiar pieces and some new pieces.
There are a couple of similarities between “Finding Dory” and its predecessor. In the first movie, Dory (Ellen DeGeneres), the blue tang fish with short term memory loss, helps the clown fish Marlon (Albert Brooks) find his missing son Nemo. This time around, Marlon and Nemo agree to help Dory find her parents, whom she got separated from at a young age and naturally forget them over time. But she remembers them suddenly and wants to go find them, and it is important to note that this movie isn’t called “Finding Dory’s Parents” because really the story is all about Dory finding out who she is and really gaining a sense of self worth as she uncovers her past, and they manage to get quite an emotional journey out of this set up.Continue Reading …








